Originally posted by dlh Interesting. I wonder whether Silkypix/DCU and Serif Affinity do the same thing.
By the way, and apropos of our earlier conversation, I bought that Vello light diffuser thing (
Vello | Camera & Flash Accessories) designed to assist in programming the user-setting ("K") white balance, and that thing is amazing. It works really well. Thing is, using that instead of the "multi-auto" which I normally use is no good for spontaneous and incidental photography. Too time consuming, and holding the thing in front of the lens properly while simultaneously operating the camera settings is not as easy as it might be.
Good to gear the vello thing is working. Hopefully with time you will come to sus out a scene that the Multi Auto WB struggles with. Autumn, snow, etc, and the vello tool is used on those occasions rather than all the time. Don't forget, when shooting RAW you can shoot Multi-Auto first (to capture the moment), then after the event has passed bring out the vello tool and then take a shot, because when coming to post process the images you can synchronise the 'hurried capture the moment' shots using Multi Auto off from the latter shot taken with the Vello tool
---------- Post added 12-15-19 at 06:04 AM ----------
Colour Extract then Colour Replace;
I think my biggest hurdle currently is getting the brightness or exposure right 'in camera edit' for preparation to the real computer/monitor screen. I typically have my Camera at +1 for 'Outdoor setting' which gives me a brighter LCD to work with, however what I am seeing from my edit is
a lot brighter than the final result you see here, my monitor is clearly duller (or more accurate) and thus I am editing something that is not how it will genuinely appear once ported to the computer. I think I need to start editing at '0' for Outdoor Screen/Setting so I get a better idea of how dark or bright the shot really is when ported to PC.