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05-17-2011, 12:36 AM   #16
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Very nice. I love that place. A cibachrome from a K25 slide of a Painted Hills mound sits behind my chair at the dining table.

05-17-2011, 01:04 PM   #17
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QuoteOriginally posted by civiletti Quote
Very nice. I love that place. A cibachrome from a K25 slide of a Painted Hills mound sits behind my chair at the dining table.
How is your cibachrome mounted? I have a large cibachrome (30x40) and it's hinged, but there are waves in it. The frame shop said it was simply very difficult to mount large cibachromes. Did you have yours mounted at that place in Portland Y-east or something? cheers, gt
05-17-2011, 10:43 PM   #18
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This is only 11x14 mounted with archival tape at the corners. I used satin paper, which does not show waves as much as the glossy cibachrome, which is very hi-gloss. To eliminate visible waves, you would need to use sheet adhesive, which is not considered archival, at least not when I was printing. But Ciba prints are not permanent anyway. They may be good for a century under glass in moderate light, so adhesive mounting might not be a problem in practical terms.
05-18-2011, 12:52 PM   #19
Arn
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Great shots in the albums!
That *300 is sharp, and you captured really good detail and colour.
Thanks for showing these.

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