Hi Gerald. Welcome. I am another who was bitten by the film bug last year. I had a couple of film cameras that I bought for the lenses. Because I was into old glass I was lent a 1932 Leica iii to test. I had never shot film seriously, having been a point and shoot guy in my past. The leica led to me servicing a spotmatic and going nuts for film. My main cameras now are a Pentax MX and a Yashica-Mat TLR, both serviced and pristine. I also have a voigtlander rangefinder and a lovely 1946 Zeiss ikoflex TLR. Initially everything went to the lab but now I shoot mainly B&W and develop at home, which is so easy BTW. Scanning is done by my KP and a macro lens. As for developing, a dark bag removes the need for a dark room and Paterson tanks make developing easy. So far I have only developed in coffee (caffeinol) and ilford ID-11 but I have some Bellini hydrofen lined up. The thing about it is the variables. Different films gave different characteristics, pushing or pulling them gives different results, as does the developer you choose. Some developers are fine grain, others enhance grain but make for a very sharp image. Whilst it has taken over somewhat, I fully expect film and digital to run side by side, eventually
One cool thing about old film cameras is that people are interested and don't seem to see you as hostile, making it much easier to ask if you can take their picture
Pentax MX, Orwo UN54, ID-11
Yashica-Mat, Ilford Delta 400, ID-11 (50% crop)
1946 Zeiss Ikoflex (tlr), Rollei Retro 80s, ID-11
MX, Ilford HP5+, pushed 2 stops and developed in coffee