Originally posted by cristigj Hello all,
I am writing to inquire about archival inks in particular and also papers. I have an upcoming show and as a result bought a Epson XP600 inkjet printer. The reason I bought it was that they advertised it as having 'archival ink' -- which, to my mind (as an art major who majored in painting and sculpture, archival means freaking archival -- archival as in 'the stuff they did the cave paintings with' archival, not 5 years as long as it is framed under UV resistant glass). The reason it is important to me to have archival inks and papers that will not degrade is that I dont want to sell a print that is going to fall apart in a few years, or fade to the point of it looking like a newspaper photo.
In any case, compatible with this line if printers is this Epson 'claria' inks, described as 'ultra premium' (which to my mind sounds like entry level and overpriced). If they really are archival and capable of reproducing a vast range of values and colors, then fantastic. But if not, I was thinking I may need to upgrade my printer and use this one for proofs.
Is there anyone out there who can attest to the following:
--a brand of printer/inks that are archival in the true sense of the word (not "archival" as a marketing buzz word)
--a brand of printers/inks that have a wide dynamic range and intelligence -- something that doesnt look like the buck toothed apprentice calibrated the CMYK settings
--High resolution and fidelity to the original photo. good color separation.
Unfortunately, I know a lot of this is trial and error. With an upcoming show, I hate wasting ink just trying to get a a faithful reproduction of what it looks like on my monitor. I am finding that I have to pretty much overexpose all of my values in order to get the final print to look good. I am fairly happy with the Epson (it is an XP600), beats any printer I have had prior, but I am curious if anyone out there has any tips or favorite inks or printer combinations.
Thanks!
To answer your question . . . no one has lived the 100 years to attest to prints looking good over that time period. So testing is all we got right now, though I would love to say be patient.
There are two reliable online resources that test prints. One, Wilhelm, has been noted prior. They mostly do contract testing and sometimes the results are only available privately, or we hear about it in ad copy from the customer.
The other is
Aardenburg Imaging. The owner, Mark McCormick is a valuable contributor to a few good forums online. Registration is free and you can then access their results. One interesting aspect is that they test third-party inksets. Generally my personal policy is to stick with OEM inks (though third party art papers I enjoy using a lot) and suck up the outrageous costs.
That all said, the weakness is that your printer is a consumer-oriented business printer that outputs decent art. It is probably impossible to obtain anything but generic paper profiles which means trial-and-error testing for art papers. A good home printing solution will cost you $500 to get going with very high consumable ink ongoing costs too. If you are pumping out dozens of prints per month then the business case may be there; otherwise it may behoove you to outsource the work to a reputable printer in your community.
Finally, archival presentation means that your framing materials have to be up to snuff. That's expensive too so find a good framer.
Hope this helps.
M