[Eric Seavey]

In general I am happy with my version of Photoshop CS5. If I were to get a Pentax K-5II, I would normally also have to upgrade photoshop in order for me to read raw files. It would have been nice if camera raw could be upgraded separately from photoshop itself, since photoshop is a bit pricey. I would be happy to pay for upgrades to the camera raw, so that I can read raw files of newer cameras. No, the Plugin Site just released this plugin that imports many raw files in photoshop. I wonder how well it works. Perhaps I will give it a try the next days. In general I like their products, so it is likely that I will like this product too.

Any thoughts? Opinions?

[jatrax]

Shoot DNG instead of PEF or am I missing something?

[rawr]

Shoot DNG instead of PEF or am I missing something?

Worth a try, but sometimes RAW processors like to apply customisations to how they process the RAW based on the specs of the camera. Hence the constant addition of body updates to LR, DxO etc even for cameras that can natively shoot DNG.

So CS5 may be able to open K-5II DNG's, but it may not know how to process them optimally.

A way around this may be to download the latest Adobe DNG Converter, then convert K-5II PEF's to fresh DNG's, then open them in CS5. The DNG Converter gets updated everytime Adobe Camera Raw is updated, so it knows about all the optimisations and technical capabilities of the newest camera bodies....

Adobe - Adobe Camera Raw and DNG Converter : For Windows

[jatrax]

sometimes RAW processors like to apply customisations to how they process the RAW based on the specs of the camera

I only use Lightroom so my experience is limited. But I think this is handled in LR under camera calibration. You can use the embedded profile, the Adobe profile or create your own. As I understand it these profiles are used to cook the jpeg from the DNG. SO a slightly different DNG could be accommodated by a new profile.

The DNG converter option is also a good one though it adds another step in the workflow. LR will also convert to DNG on import and I assume uses the same ACR as the converter. Assuming you have the latest version of course.

[wildman]

sometimes RAW processors like to apply customisations to how they process the RAW based on the specs of the camera.

Sounds like a violation of the DNG standard if true...

From Wikipedia:
"Self-contained file format: a DNG file contains the data (raw image data and metadata) needed to render an image without needing additional knowledge of the characteristics of the camera."

[rawr]

Sounds like a violation of the DNG standard if true...

Tell that to the developers of RAW processors like Capture One, DxO Optics Pro, Silkypix/Pentax DCU, and even Adobe.

Capture One in particular used to mangle my K-x DNG's until their support team came to the party, and K-30 users have had a LOT of recent trouble trying to get C1 to render their DNG's properly.

DNG doesn't seem 'self-contained' as it is made out to be, unfortunately. You may be able to see something in there out-of-the-box, but it may not be an optimal rendering.

[wildman]

Tell that to the developers of RAW processors like Capture One, DxO Optics Pro, Silkypix/Pentax DCU, and even Adobe.

Indeed - but the question still remains is it a fault of the basic implementation of the DNG standard or the fault of software trying to go beyond DNG specifications?

My own experience using ACR ver 8.1.0.43 + PS CS6 is that the rendering is spot on right out of the box (a K5).

Just for the hell of it I tried importing a DNG file directly into esri ArcGIS an advanced Cartographic Production program that knows nothing about photography and it imported it perfectly. But Capture One can't? - weird.

I don't doubt what you are saying but I have to wonder where the fault is.

---

Last edited by wildman; 06-15-2013 at 10:31 PM.

[rawr]

is it a fault of the basic implementation of the DNG standard or the fault of software trying to go beyond DNG specifications?

Probably the latter. Or just lazy coders. But it is certainly re-assuring to know that DNG does work as designed in some instances.

But - are you sure you weren't just seeing the JPG preview embedded in the DNG, rather than a rendering of the DNG per se?

My story with K-x DNG's and C1 Express (v5 I think, in those days) is illustrated below (RAW+ is a handy way to shoot):
JPG:


DNG as rendered by C1 Express:


As mentioned, much of the image is there, but clearly there can sometimes be a mis-match between the DNG as processed and displayed and how it should look.

Phase One did address this though in C1, so it can be made to work, but you can't always assume it will.

[wildman]

My story with K-x DNG's and C1 Express (v5 I think, in those days) is illustrated below (RAW+ is a handy way to shoot):

Clearly something is broken. I have never had such color distortion with my software. It looks like a damn cartoon.

Here's what I'm getting with my setup. My cat looking out a north facing window. Difficult subtle light and without any special PP. Tone, WB, color etc is pretty realistic and close to what the naked eye would see. ACR is only working on DNG data for sure.

[rawr]

But how does it look when esri ArcGIS shows the same DNG? That's the test.

I can also get similarly great results (minus the cat ) out of K-200/K-x/K-5 DNG's from Lightroom, DxO, C1 (now) etc, but they are all versions that know about the 'personality' of each camera sensor and have been tuned correspondingly, just like ACR v8 has. I mean, you can see the ACR camera support timeline here:

http://helpx.adobe.com/creative-suite/kb/camera-raw-plug-supported-cameras.html

K-5 DNG/PEF support only came along in ACR v6.3 - I don't think earlier versions would even open a K-5 DNG, let alone render the DNG perfectly. Hence the OP's post.

[wildman]

But how does it look when esri ArcGIS shows the same DNG? That's the test.

The two are different but not enough for me to lose sleep over.
Note:used Perfect Resize 7 instead of PS for reasons too complicated to explain.
--------------------------------------------

[rawr]

That's certainly a good result. If your GIS app isn't acting as a PS plugin, and/or using ACR to render the RAW, I guess they are probably relying on dcraw or a similar RAW processor to render the DNG into a JPEG. dcraw is usually kept pretty up to date with the newest camera bodies (although support for K-30 and K-01 still isn't there in dcraw, it seems).

[Eric Seavey]

Shoot DNG instead of PEF or am I missing something?

I have done that a while back when I got a K-7. I am trying to remember the problem, but I think some of the exif data is not included in the DNG files or something... Anyway I ended up upgrading Photoshop...

The whole work around using DNG files seems cumbersome...

I'll give Metaraw a try in a couple of days. I wonder about the rendering, and how it differs from ACR...

[jatrax]

I have done that a while back when I got a K-7. I am trying to remember the problem, but I think some of the exif data is not included in the DNG files or something... Anyway I ended up upgrading Photoshop... The whole work around using DNG files seems cumbersome...

That seems odd, all info is available in k-5 files, maybe it is a k-7 thing. On newer cameras Pentax no longer uses PEF but DNG as the native RAW format.

[wildman]

I think some of the exif data is not included in the DNG files or something

Here's a dump of all the DNR tags from the cat shot I have been posting - it's a lot more than I thought...
Just thought some might find it interesting to see just how much is included besides the RAW sensor data.

---- ExifTool ----
ExifTool Version Number : 9.31
---- System ----
File Name : IMGP0872.DNG
Directory : D:/download
File Size : 26 MB
File Modification Date/Time : 2013:06:16 02:35:26-05:00
File Access Date/Time : 2013:06:17 10:05:43-05:00
File Creation Date/Time : 2013:06:17 10:05:43-05:00
File Permissions : rw-rw-rw-
---- File ----
File Type : DNG
MIME Type : image/x-adobe-dng
Exif Byte Order : Big-endian (Motorola, MM)
---- IFD0 ----
Subfile Type : Reduced-resolution image
Image Width : 160
Image Height : 120
Bits Per Sample : 8 8 8
Compression : Uncompressed
Photometric Interpretation : RGB
Make : PENTAX
Camera Model Name : PENTAX K-5
Strip Offsets : 104448
Orientation : Horizontal (normal)
Samples Per Pixel : 3
Rows Per Strip : 120
Strip Byte Counts : 57600
X Resolution : 300
Y Resolution : 300
Planar Configuration : Chunky
Resolution Unit : inches
Software : K-5 Ver 1.13
Modify Date : 2012:12:11 11:18:05
DNG Version : 1.1.0.0
DNG Backward Version : 1.1.0.0
Unique Camera Model : PENTAX K-5
Color Matrix 1 : 0.9614257813 -0.4761810303 -0.07885742188 -0.3495941162 0.9834136963 0.4286651611 -0.01724243164 0.03601074219 0.6588897705
Color Matrix 2 : 0.8284454346 -0.2503509521 -0.1109466553 -0.3995361328 1.230117798 0.1880645752 -0.09471130371 0.166015625 0.6311798096
Analog Balance : 1 1 1
As Shot Neutral : 0.4913627639 1 0.628992629
Baseline Exposure : -0.5466766357
Baseline Noise : 1
Baseline Sharpness : 1
Linear Response Limit : 1
Calibration Illuminant 1 : Standard Light A
Calibration Illuminant 2 : D65
---- SubIFD ----
Subfile Type : Full-resolution Image
Image Width : 4992
Image Height : 3284
Bits Per Sample : 14
Compression : JPEG
Photometric Interpretation : Color Filter Array
Strip Offsets : 162048
Samples Per Pixel : 1
Rows Per Strip : 3284
Strip Byte Counts : 25353578
X Resolution : 300
Y Resolution : 300
Planar Configuration : Chunky
Resolution Unit : inches
CFA Repeat Pattern Dim : 2 2
CFA Pattern 2 : 2 1 1 0
CFA Layout : Rectangular
Black Level Repeat Dim : 2 2
Black Level : 0 0 0 0
White Level : 15864
Default Scale : 1 1
Default Crop Origin : 22 10
Default Crop Size : 4928 3264
Bayer Green Split : 0
Anti Alias Strength : 1
---- SubIFD1 ----
Subfile Type : Reduced-resolution image
Image Width : 4928
Image Height : 3264
Bits Per Sample : 8 8 8
Compression : JPEG
Photometric Interpretation : YCbCr
Preview Image Start : 25515648
Samples Per Pixel : 3
Rows Per Strip : 3264
Preview Image Length : 1258930
X Resolution : 300
Y Resolution : 300
Planar Configuration : Chunky
Resolution Unit : inches
White Point : 0.313 0.329
Primary Chromaticities : 0.64 0.33 0.3 0.6 0.15 0.06
Y Cb Cr Coefficients : 0.299 0.587 0.114
Y Cb Cr Sub Sampling : YCbCr4:2:2 (2 1)
Y Cb Cr Positioning : Co-sited
---- XMP-x ----
XMP Toolkit : Adobe XMP Core 5.5-c002 1.148022, 2012/07/15-18:06:45
---- XMP-xmp ----
Creator Tool : K-5 Ver 1.13
Modify Date : 2012:12:11 11:18:05
Create Date : 2012:12:11 11:18:05
Rating : 0
Metadata Date : 2013:06:16 02:35:19-05:00
---- XMP-aux ----
Lens Info : 35mm f/2
Lens : smc PENTAX-FA 35mm F2 AL
Lens ID : 4 28
---- XMP-photoshop ----
Date Created : 2012:12:11 11:18:05
---- XMP-xmpMM ----
Document ID : 6CDD0224F6BAE3AF4305A256FFD882E3
Original Document ID : 6CDD0224F6BAE3AF4305A256FFD882E3
Instance ID : xmp.iid:e54a4bd1-b65b-4d4f-92f6-fd56249b8928
History Action : saved, saved
History Instance ID : xmp.iid:aee88d24-2021-5545-b355-9283a8406dbf, xmp.iid:e54a4bd1-b65b-4d4f-92f6-fd56249b8928
History When : 2013:06:16 00:58:21-05:00, 2013:06:16 02:35:19-05:00
History Software Agent : Adobe Photoshop Camera Raw 8.1 (Windows), Adobe Photoshop Camera Raw 8.1 (Windows)
History Changed : /metadata, /metadata
---- XMP-dc ----
Format : image/dng
---- XMP-exifEX ----
Photographic Sensitivity : 3200
Lens Model : smc PENTAX-FA 35mm F2 AL
Lens Specification : 35, 35, 2, 2
---- XMP-crs ----
Raw File Name : IMGP0872.DNG
Version : 8.1
Process Version : 6.7
White Balance : Custom
Color Temperature : 5450
Tint : +1
Saturation : 0
Sharpness : 70
Luminance Smoothing : 0
Color Noise Reduction : 25
Vignette Amount : 0
Shadow Tint : 0
Red Hue : 0
Red Saturation : 0
Green Hue : 0
Green Saturation : 0
Blue Hue : 0
Blue Saturation : 0
Vibrance : +9
Hue Adjustment Red : 0
Hue Adjustment Orange : 0
Hue Adjustment Yellow : 0
Hue Adjustment Green : 0
Hue Adjustment Aqua : 0
Hue Adjustment Blue : 0
Hue Adjustment Purple : 0
Hue Adjustment Magenta : 0
Saturation Adjustment Red : 0
Saturation Adjustment Orange : 0
Saturation Adjustment Yellow : 0
Saturation Adjustment Green : 0
Saturation Adjustment Aqua : 0
Saturation Adjustment Blue : 0
Saturation Adjustment Purple : 0
Saturation Adjustment Magenta : 0
Luminance Adjustment Red : 0
Luminance Adjustment Orange : 0
Luminance Adjustment Yellow : 0
Luminance Adjustment Green : 0
Luminance Adjustment Aqua : 0
Luminance Adjustment Blue : 0
Luminance Adjustment Purple : 0
Luminance Adjustment Magenta : 0
Split Toning Shadow Hue : 0
Split Toning Shadow Saturation : 0
Split Toning Highlight Hue : 0
Split Toning Highlight Saturation: 0
Split Toning Balance : 0
Parametric Shadows : 0
Parametric Darks : 0
Parametric Lights : 0
Parametric Highlights : 0
Parametric Shadow Split : 25
Parametric Midtone Split : 50
Parametric Highlight Split : 75
Sharpen Radius : +1.2
Sharpen Detail : 46
Sharpen Edge Masking : 0
Post Crop Vignette Amount : 0
Grain Amount : 0
Color Noise Reduction Detail : 50
Lens Profile Enable : 0
Lens Manual Distortion Amount : 0
Perspective Vertical : 0
Perspective Horizontal : 0
Perspective Rotate : 0.0
Perspective Scale : 100
Perspective Aspect : 0
Perspective Upright : 0
Auto Lateral CA : 0
Exposure 2012 : +0.15
Contrast 2012 : +36
Highlights 2012 : -15
Shadows 2012 : +18
Whites 2012 : +11
Blacks 2012 : -23
Clarity 2012 : +11
Defringe Purple Amount : 0
Defringe Purple Hue Lo : 30
Defringe Purple Hue Hi : 70
Defringe Green Amount : 0
Defringe Green Hue Lo : 40
Defringe Green Hue Hi : 60
Convert To Grayscale : False
Tone Curve Name 2012 : Linear
Camera Profile : Adobe Standard
Camera Profile Digest : AC0105253B072D150D408CC3CECBEB51
Lens Profile Setup : LensDefaults
Upright Version : 134217728
Upright Center Mode : 0
Upright Center Norm X : 0.5
Upright Center Norm Y : 0.5
Upright Focal Mode : 0
Upright Focal Length 35mm : 35
Upright Preview : False
Upright Transform Count : 0
Has Settings : True
Has Crop : False
Already Applied : False
Tone Curve PV2012 : 0, 0, 255, 255
Tone Curve PV2012 Red : 0, 0, 255, 255
Tone Curve PV2012 Green : 0, 0, 255, 255
Tone Curve PV2012 Blue : 0, 0, 255, 255
---- ExifIFD ----
Exposure Time : 1/500
F Number : 4.0
Exposure Program : Aperture-priority AE
ISO : 3200
Exif Version : 0221
Date/Time Original : 2012:12:11 11:18:05
Create Date : 2012:12:11 11:18:05
Shutter Speed Value : 1/500
Aperture Value : 4.0
Exposure Compensation : -0.3
Metering Mode : Multi-segment
Flash : Off, Did not fire
Focal Length : 35.0 mm
Sensing Method : One-chip color area
Custom Rendered : Normal
Exposure Mode : Manual
White Balance : Auto
Focal Length In 35mm Format : 52 mm
Scene Capture Type : Standard
Contrast : Normal
Saturation : Normal
Sharpness : Normal
Subject Distance Range : Macro
Lens Info : 35mm f/2
Lens Model : smc PENTAX-FA 35mm F2 AL
---- GPS ----
GPS Version ID : 2.3.0.0
---- Pentax ----
Pentax Version : 7.0.0.0
Pentax Model Type : 0
Preview Image Size : 640x480
Preview Image Length : 29143
Preview Image Start : 35680
Pentax Model ID : K-5
Date : 2012:12:11
Time : 11:18:05
Quality : RAW
Flash Mode : Off, Did not fire; Internal
Focus Mode : AF-S
AF Point Selected : Fixed Center
Exposure Time : 1/500
F Number : 4.0
ISO : 3200
Exposure Compensation : -0.3
Metering Mode : Multi-segment
Auto Bracketing : 0 EV, No Extended Bracket
White Balance : Auto
Focal Length : 35.0 mm
Saturation : Normal
Contrast : Normal
Sharpness : Normal
DSP Firmware Version : 1.13.23.23
CPU Firmware Version : 1.13.23.23
Effective LV : 7.6
Picture Mode : Aperture Priority; 1/3 EV steps
Drive Mode : Continuous (Lo); No Timer; Shutter Button; Single Exposure
Sensor Size : 24.122 x 15.976 mm
Color Space : sRGB
Image Area Offset : 22 10
Raw Image Size : 4928x3264
Pentax 0x003d : 8192
Preview Image Borders : 28 28 0 0
Lens Type : smc PENTAX-FA 35mm F2 AL
Camera Temperature : 20 C
AE Lock : Off
Noise Reduction : Off
Flash Exposure Comp : 0
Image Tone : Natural
SR Result : Stabilized
Shake Reduction : On (7)
SR Half Press Time : 4.25 s or longer
SR Focal Length : 35 mm
Shutter Count : 873
Faces Detected : 0
Face Position : 0 0
Raw Development Process : 8 (K-5,K-5II,K-5IIs)
Hue : Normal
White Balance Auto Adjustment : On
Tungsten AWB : Subtle Correction
Dynamic Range Expansion : Off
World Time Location : Hometown
Hometown DST : No
Destination DST : No
Hometown City : Chicago
Destination City : Chicago
High/Low Key Adj : 0
Contrast Highlight : 0
Contrast Shadow : 0
Contrast Highlight/Shadow Adj : Off
Fine Sharpness : Off; Normal
High ISO Noise Reduction : Off; Inactive
AF Adjustment : 0
Monochrome Filter Effect : None
Monochrome Toning : None
Face Detect : Off; 0 faces detected
Face Detect Frame Size : 0 0
Pentax 0x0078 : 0 0
Shadow Correction : Off
ISO Auto Parameters : Standard
Distortion Correction : Off
Chromatic Aberration Correction : Off
Pentax 0x007e : 15864
Bleach Bypass Toning : Off
Black Point : 0 0 0 0
White Point : 16672 8192 8192 13024
Picture Mode 2 : Aperture Priority
Program Line : Normal
EV Steps : 1/3 EV Steps
E-Dial In Program : Tv or Av
Aperture Ring Use : Permitted
Flash Options : Normal
Metering Mode 2 : Multi-segment
AF Point Mode : Fixed Center
Focus Mode 2 : AF-S
AF Point Selected 2 : Center
ISO Floor : 3200
Drive Mode 2 : Continuous (Lo)
Exposure Bracket Step Size : 0.3
Bracket Shot Number : n/a
White Balance Set : Auto
Multiple Exposure Set : Off
Link AE To AF Point : Off
Sensitivity Steps : 1 EV Steps
ISO Auto : Off
AE Exposure Time : 1/483
AE Aperture : 4.0
AE ISO : 3200
AE Xv : 0.375
AEB Xv : 0
AE Min Exposure Time : 1/7723
AE Program Mode : Av, B or X
AE Flags : (none)
AE Max Aperture : 2.0
AE Max Aperture 2 : 2.0
AE Min Aperture : 23
AE Metering Mode : Multi-segment
Flash Exposure Comp. Setting : 0
Lens Type : smc PENTAX-FA 35mm F2 AL
Auto Aperture : On
Min Aperture : 22
Lens F Stops : 8.5
Lens Kind : 0x18
LC1 : 0x94
LC2 : 0x1f
LC3 : 0xb5
LC4 : 0x74
LC5 : 0x03
LC6 : 0x10
LC7 : 0x61
Focal Length : 35.0 mm
Nominal Max Aperture : 2.0
Nominal Min Aperture : 23
LC10 : 0x52
LC11 : 0x44
LC12 : 0x00
LC14 : 0x21
LC15 : 0x85
AE Metering Segments : 5.1 4.5 5.8 6.4 6.5 7.3 6.6 7.1 6.9 6.9 7.1 4.6 4.8 6.3 5.8 6.3 7.0 6.8 7.3 6.9 6.8 6.6 4.4 5.9 5.9 6.3 6.1 6.9 6.8 7.8 7.4 6.6 6.5 5.4 6.0 5.5 6.0 6.8 6.4 6.9 7.4 7.9 7.6 7.3 5.8 5.6 5.5 6.0 6.8 6.9 7.1 7.0 7.4 7.6 7.8 5.5 5.5 5.6 6.3 6.5 6.8 6.4 7.1 7.1 7.3 7.4 5.3 5.5 5.5 6.0 6.4 6.9 6.1 6.3 6.5 7.0 6.9
Flash Metering Segments : 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Slave Flash Metering Segments : 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Pentax Model ID : K-5
Manufacture Date : 2012:07:15
Production Code : 2.1
Internal Serial Number : 7010520
Power Source : Body Battery
Body Battery State : Full
Grip Battery State : 1
Body Battery Voltage 1 : 7.37 V
Body Battery Voltage 2 : 7.06 V
Body Battery Voltage 3 : 7.58 V
Body Battery Voltage 4 : 7.22 V
Pentax 0x021a : ...........€�.....ÿÿÿÿÿÿ[...]
Saturation Info : (Binary data 328 bytes, use -b option to extract)
Pentax 0x021c : .á.. .O.°
Pentax 0x021d : 6€îÀúÀú@5àïà€õ*€
Pentax 0x021e :
AF Points Unknown 1 : Center
AF Points Unknown 2 : Center, [13], [14]
AF Predictor : -30
AF Defocus : 9
AF Integration Time : 30 ms
AF Points In Focus : Center (horizontal)
Huffman Table : (Binary data 59 bytes, use -b option to extract)
Kelvin WB Daylight : 5205 0 2.0836181640625 1.4248046875
Kelvin WB 01 : 2500 0 1.138427734375 2.7320556640625
Kelvin WB 02 : 2630 0 1.203369140625 2.56640625
Kelvin WB 03 : 2780 0 1.275634765625 2.4046630859375
Kelvin WB 04 : 2940 0 1.3494873046875 2.2596435546875
Kelvin WB 05 : 3130 0 1.4327392578125 2.116455078125
Kelvin WB 06 : 3330 0 1.515380859375 1.991455078125
Kelvin WB 07 : 3570 0 1.6082763671875 1.8685302734375
Kelvin WB 08 : 3850 0 1.7080078125 1.7525634765625
Kelvin WB 09 : 4170 0 1.8118896484375 1.647216796875
Kelvin WB 10 : 4550 0 1.9224853515625 1.5484619140625
Kelvin WB 11 : 5000 0 2.03759765625 1.4581298828125
Kelvin WB 12 : 5560 0 2.16015625 1.3729248046875
Kelvin WB 13 : 6250 0 2.28564453125 1.2952880859375
Kelvin WB 14 : 7140 0 2.4154052734375 1.22412109375
Kelvin WB 15 : 8330 0 2.5472412109375 1.1590576171875
Kelvin WB 16 : 10000 0 2.6787109375 1.1002197265625
WB Shift AB : 0
WB Shift GM : 0
Pentax 0x0223 : ..0I;0I;P±LP±L.Gž.GžXìVXìV7Z[...]
EV Steps : 1/3 EV Steps
Sensitivity Steps : 1 EV Steps
Camera Orientation : Horizontal (normal)
Pentax 0x0227 : [...]
Pentax 0x0228 : [...]
Serial Number : 4382775
Level Orientation : Horizontal (normal)
Composition Adjust : Off
Roll Angle : 0
Pitch Angle : -11.5
Composition Adjust X : 0
Composition Adjust Y : 0
Composition Adjust Rotation : 0
Pentax 0x022c : .»q+.°†..¸V%.¹.z.½.C.¿˜U.Ä�2.ºš.Ä.d
WB RGGB Levels Daylight : 17221 8192 8192 12667
WB RGGB Levels Shade : 20576 8192 8192 9455
WB RGGB Levels Cloudy : 18555 8192 8192 10832
WB RGGB Levels Tungsten : 10349 8192 8192 23500
WB RGGB Levels Fluorescent D : 21263 8192 8192 12208
WB RGGB Levels Fluorescent N : 18232 8192 8192 13585
WB RGGB Levels Fluorescent W : 16574 8192 8192 16798
WB RGGB Levels Flash : 19525 8192 8192 11658
WB RGGB Levels Fluorescent L : 13866 8192 8192 21021
WB RGGB Levels Unknown : 17221 8192 8192 12667
WB RGGB Levels User Selected : 17221 8192 8192 12667
Contrast Detect AF Area : 0 0 0 0
Pentax 0x0234 : .[...]
Camera Temperature 2 : 20.9 C
Camera Temperature 3 : 20.9 C
Camera Temperature 4 : 20 C
Camera Temperature 5 : 20 C
Pentax 0x0404 : ...... ...æ·....ôôíøôà.LôÝ –ôYÜô§w%ôœlkôq…³ôj¢øô[...]
Unknown Block : (Binary data 24200 bytes, use -b option to extract)
Pentax 0x0406 : .... ...æ·..........÷.$Ún.L¡'.T€Ð.l™�ƒvC.ŸS..«([...]
---- Composite ----
Aperture : 4.0
CFA Pattern : [Blue,Green][Green,Red]
Image Size : 4992x3284
Lens ID : smc PENTAX-FA 35mm F2 AL
Preview Image : (Binary data 1258930 bytes, use -b option to extract)
Preview Image : (Binary data 29143 bytes, use -b option to extract)
Scale Factor To 35 mm Equivalent: 1.5
Shutter Speed : 1/500
Circle Of Confusion : 0.020 mm
Field Of View : 38.2 deg
Focal Length : 35.0 mm (35 mm equivalent: 52.0 mm)
Hyperfocal Distance : 15.14 m
Light Value : 8.0