Originally posted by Gerbermiester Instead of investing a heap of time and money into getting my own printer, ink, paper, and all the paraphernalia that goes with it, I get my prints done at my local photography shop. They have far nicer equipment than I can ever be able to afford, offer a wider variety of papers than I could keep on hand, and provide the expertise to consistently do a great job. Also, I don't have to worry about inks drying up when they're not used, or constantly having to clean the cartridge heads, or facing smudges from dye based inks. I just asked the fellows who work there for the ICC profiles for their printers and printed out a few test images. After a few tweaks over the course of an afternoon, I was profiled and ready to go. Lots of other people enjoy the 'at home' printing process. I, however, find it massively frustrating. But, that's just me.
Each to his own, but I find printing to be one of the most enjoyable and rewarding aspects of photography. To me, it is the completion of the whole process, and I do not want to relinquish control to a lab technician.
I print with an Epson 3880. When I first started printing 3 1/2 years ago, I used a variety of glossy papers, finally settling on Canson Platine. However, in the past year, I have discovered matte papers, which I now use almost exclusively for fine art purposes. I prefer smooth mattes in which the surface virtually disappears. This is their great advantage over glossy and pearl papers, in which surface reflections detract from the image, even when framed behind glass. Matte papers have lower Dmax (blackness levels) and narrower color gamuts, but it doesn't seem to matter much, IMO. They just look better. My favorite matte papers are Epson Hot Press Natural and Bright for color and Museo Portfolio Rag for B&W. It is essential that you use a good profile and the proper media settings for you printer.
I would suggest that you get sample packs for some of the papers that you are considering. Good luck, and have fun printing.
Rob