Originally posted by ap_exclamationpoint So I just dropped a couple hundred bucks on a Canon Pro 100 and I'm not getting the results I was expecting. The prints aren't matching what I'm seeing on my screen. I'm really new to photo printing (2 days) I feel like I may be in over my head a little. My monitor has been recently calibrated so I'm assuming thats not the issue. I'm printing from Photoshop CC and letting photoshop handle the color management, however I'm really not sure if I'm doing any of this right. Is there a crash course in photo printing I can read or watch somewhere?
Also, paper: I've read a few things about Canon's paper and profiles not being the best option. Right now I'm using the 50 sheets of canon paper that came with my printer. I was just wondering what kind of paper you guys use and love. Do any of you have specific paper suggestions for this printer? If somebody could point me in the right direction, I'd really appreciate it.
A couple quick settings to check:
- Make sure your working space in Photoshop is set to something large, like ProPhoto or AdobeRGB
- Soft proof your image using the ICC profile for the Pro-100 and the paper you're using. I think the stuff included with the printer should be Canon Glossy Photo Paper II
- Try both perceptual and relative colorimetric rendering intents in your soft proofing. Make sure black point compensation is turned on for both.
- Make any tonal/vibrance/exposure/contrast adjustments on a layer to bring the soft proofed preview image in line with the image you intended.
- From the print menu, make sure Photoshop is controlling the color management, and then go into your printer properties. Turn off any automatic enhancements. I have an older Pixma, and there is a menu option that's buried, it has three choices (I'm not at home so I can't look at it) something like "Canon driver" "ICM" and "None". You want "None".
- Make sure to print with the same rendering intent that you used for soft proofing.
- Give the ink a couple hours to dry and look at the prints under good lights.
Also, it's important to realize that you monitor emits light, whereas your prints reflect it, it's always going to look a little different. The dynamic range of a print will always be less than that of a monitor, which in turn will be less than the dynamic range of a contrasty real-life scene. Ever stared at the sun and been blinded? Ever stared at a photograph of the sun and been blinded? See what I mean?