Originally posted by clickclick I'm with you on this one. It really stings that I bought the desktop version of Lr having read that it would be supported indefinitely to then have them pull the subscription model to get any enhancements, which I believe will means no new camera support either. I had been checking out After Shot Pro 3, but after working on the same photo in AF3 and then going to Lr, I discovered highlights that looked blown out in AF3 were there in Lr. Ugh! So now poking at other programs, trying to figure out what sequence of evals to hit, but still using Lr but not wanting to invest much more time in a product that is going to hit me up monthly forever. And yes, I'd be happy to pay for a new 7.x version priced like the 6 version because that lets me upgrade at my pace when I deem the features are worth it for my scenario. The monthly model really irks me, especially knowing that price hikes seem inevitable. I think I can still get the Lr Ps bundle for $9.99/month here, but as I look around, I have no confidence that will persist. On one hand it is attractive because they are both good programs and the standalone version of Ps was pricey, but this does add up, and if it's like the cable TV companies, this is just going to keep going - I can see the $19.99/month hike coming.
I believe that part isn't true. Right now I can purchase LR6 for $205AUD (which equates to a little over a years subscription, and of course no PS in that package). It doesn't have the 'dehaze' feature (which I think is pretty good and have used a fair bit), but I spoke with an Adobe rep and they assured me camera support (and I think even Lens Profiles) are supported for the standalone installs, it's just the new features that aren't.
But $205 is like over a year, that's a long time in the photographic world, in Adobe world that is
several updates, so even if LR7 was available now for the same price, you could be missing out heaps from the program some 9-18 months down the line (let alone 2-3yrs which is what you're really trying to achieve by buying the standalone version).
Thing is, I have stuck to version 7.2, I rolled back after an update earlier in the year because I didn't like the change it brought to the presets. With 7.2 you got an awesome 'Auto Settings' applied to RAW files that was better than any other version they rolled out, it took me closer to what I wanted to achieve with most of my shots with one click. I mean of course I'm not an 'Auto' kinda guy, but to have the sliders jump to roughly where you need them to start a basic edit was nice. I even recall seeing articles circulating the net talking about this (at the time).
Adobe Lightroom adds AI, machine learning for better auto settings | ZDNet Adobe Releases Lightroom Classic 7.1 (and one the new features is pretty awesome!) - Lightroom Killer Tips
But soon after that specific update, the 'Auto Setting' got stuffed and the results less than stella.
I've talked with other photographers from other brands who feel exactly the same, that a certain update hit a sweet spot, but successive updates changed the presets and how they looked and ruined it.
If I bought a hypothetical LR7 version for $205 I'd want to be able to select a specific version, such as 7.1-2 and have the preset feel I want, but also still receive updates and new features without ruining the presets, so I know that's not gonna happen (people are already complaining about this very latest update they have just rolled out), and this fuels my desire to switch and ditch entirely.
Originally posted by clickclick Yep. I've recently installed Raw Therapee and Darktable. I think the hardest part of this is learning enough about the respective programs to accurately make a comparison. My highlight test started off accidentally. I was pretty happy with the shot, and pulled it into Lr to see how it compared, and that started the plunge to dig deeper into other alternatives. I'm finding I like certain programs for certain things, but not sure how much of that is I just know how to do x adjustment in program y versus z. I feel like Topaz is worth investing more time into. I'm liking some of their plugins and what I've been able to do (DeNoise and Clarity specifically). But again, not sure if it's just because I'm getting a hang of it versus outright capabilities.
Too bad we don't have 36 hour days. Wonder if those folks in that NASA simulation titled "Australia" get any flexibility on that time stuff?
I'm a huge fan of Topaz, or rather their 'Adaptive Exposure' element. I find the best results of Topaz is to use it in conjunction with masking, it can really add some punch to your subject when using those very wide open apertures and you want to create an even greater subject isolation. I can't really speak of the Studio version of it as I just stuck with the plugins, but my first impressions were a little flat, possibly I have not given it much of a chance. I still see Topaz as a plugin/effect feature, rather than an overall editor, hence this hunt for a new alternative.
People tell me Capture One is also something to keep an eye on, but I was narrowed down to Affinity due to its Topaz support (I've already invested over $100 in their plugins!).