Originally posted by ftpaddict But not such a good job on my K100D.
My Zeiss Tessar 50mm f/2.8 and Beroflex 135mm f/2.8 perform very well on film, but are horribly hopelessly soft on digital.
Originally posted by the_snark Why whould that be?
Because camera manufacturers do not put the emphasis on the focusing screen calibration as they used to. I had the issue with the 30D, and now with the K20D i see the same, what is in focus on screen with a split screen is not in focus on the sensor, i need to move the screen further up, i got pretty close with the 30D screen i still had, it has a lowered edge and after i realized the raised inner part fits into my shim got focusing pretty darn close. BUT. I had tried to file the edge and slipped, those marks across the screen look quite ugly and are distracting, so i am back on the stock screen, but at least i know if i got some spare cash, a 30D screen will be perfect for me.
<myguess>Your lenses are soft when you try to use them wide open where the miscalibrated screen throws you off, you probably still have sharp stopped down images and the occasional sharp shot wide open you don't know how you got it </myguess>
Originally posted by Miserere Interesting... Unless it's an A lens or later, I prefer M42 lenses to K or M series as far as functionality is concerned (cos you can just shoot in Av with M42
).
It's the counting of stops to be able to focus wide open and the counting backwards, remembering which lens has half or full stops and which that has third stops in which area is mounted that i dislike, not the metering thereafter
This would equally keep me from the CZ to P/K mount conversion i had been considering (I Do miss the Distagon 28/2.8 and got no grand for a 28/2 laying around)