Originally posted by CWyatt The best predators get the best prey.
STREET PHOTOGRAPHY IS NOT FOR WIMPS!!
And Vivian Maier was obviously no wimp. But neither was she a
camera fiend.
Yes, a TLR with fast film is ideal for street work. A typical 6x6cm / 2.25 inch cam typically had a fixed 75mm lens, so the photojournalist's rule must be modified slightly:
f/11 and be there. Prefocus at 30 feet; DOF is 15 feet to infinity. Or, since the diffraction limit is higher, use f/16, prefocus to 20 feet for DOF from 10 feet to infinity. It's a snap!
___________________________________________________________________
A personal note: A couple things have come together for me. One, I was recently gifted with my Dad's older TLR (Thanks for digging it up, Sis!), an Argoflex-E circa 1947, which is thus a couple years older than I. Small (3x4x5 inches), light (23 oz / 650g), inconspicuous (his later Minolta Autocord is half again larger), it's 75/4.5 Argus Varex lens has weird geared focusing, and unusual aperture numbering: 4.5, 6.3, 9, 12.7, 18. Right, f/18 and be there!
Two, I have a pile of darkroom gear, but no enlarger, and no place to put one. I talk of building a collapsible darkroom in my 2nd bathroom (which must also accommodate guests), and yeah, that might happen.
BUt I just found that, way up here in this remote mountain hamlet, there's a public-access darkroom just three miles away! So I can develop film and make contact prints in the bath, then print enlargements down at the Joyce Center! Glorioski!
So now I'm inspired to actually use the Argoflex, and an even older (1930) KW Patent-Etui 6x9 folder with a waist-level finder, and go shoot some streets. Well, the nearest shootable streets are a couple hours away, but I'll get there eventually.
Originally posted by dadipentak ...the prey is the photograph and the people are simply elements.
A metaphysical note: Some say photography steals souls. That is true. But it is the photographer's soul that is stolen, not the subject's. I read that somewhere.