Originally posted by spystyle I guess this thread really asks the question - how much should we obsess ?
We're gearheads so we obsess about gear, obsessively. But there are various ways to so obsess. We can obsess about The Latest, The Greatest! Or about the adequate. Or about the weird (where I'm at). We can obsess about sensors, formats, films, pinholes, long long long lenses, fisheye optics, super duper flashes, whatever.
We obsess over this stuff in part because it's quantitative and thus easy to discuss -- just plug a number into an argument. "
My superzoom is bigger-better-badder-bolder than
your superzoom!" Then roll with the numbers. Damn, I've got a database filled with my camera and lens numbers, and I like running those numbers, ooh ooh!
There are more productive aspects of photography about which to obsess. Light. Form. Texture. Meaning. Stuff that has little relevance to all this gearhead analism. There is more to photography than perfect exposures (in fact, there is no one perfect exposure for any given subject). For a 'perfect' image of a Death Valley sunset, use an 8x10" viewcam. For an *exciting* view of that sunset, use a phonecam to shoot a naked silhouette dancing in sharp focus against an obscured background or vice-versa.
This "phonecam vs FF in Death Valley" thang is a strawman argument. No, you probably don't use a phonecam to shoot calendar landscapes (but I can think of situations where that is appropriate). No, you probably don't use an 8x10" viewcam for stealthy street-shooting (although it's been done). Rather, use what tools are available to produce the results you want.
IMHO, we shouldn't be limited by a constricted, constrained, constipated view of what photography is and can do. It's not just shots to be published in NAT.GEO (and some of their images wouldn't pass muster here). Surveillance, science, subversion, safety, silliness, seduction, psychosis, all have their own needs and opportunities. And artistic vision doesn't depend on megapickle counts.
I'm reminded of a story of the early days of Windows. Some shirt at MicroSoft hired Brian Eno to create a mini-symphony to express hope, longing, freedom, an exultation of human spirit, to be the log-on sound-byte for Windows 3 -- and it was to last 1.85 seconds. And he did it. (It wasn't used, but that's another story.) So he easily beat Beethoven, Brahms, Mahler time-wise. Like shooting a sunset with a phonecam...