This little nugget kind of blew my mind and makes me feel better about ratio of good-great shots out of total shots even if none of them are NG quality.
Quote: Why did you choose to shoot the five different frames that appear on this page, and what were you trying to tease out of the landscape in each frame?
Krist: Frans shot almost 16,000 frames for this story, and when I went back to look, I found that he had shot 321 images of the dead trees in Sossusvlei and Dead Vlei. (That’s actually relatively few frames for such an iconic scene, but Frans had a shorter time than usual in the field for this assignment, and he was trying to cover a lot of ground.) He was simply trying to give us the greatest visual variety from that unusual location in the brief time he had there.