Hi all,
I recently sold a number of 50mm Macros on this forum, so I thought it might be nice to share some experience I have gathered (although I am by no means an expert) on their use.
I know many people prefer 100mm Macros, but I hope this thread will not turn into a debate about what is best, rather, I would like to gather everyone's advice on what is the best technique for using a shorter macro.
1. For really good clear shots, a tripod is a must. It is extremely difficult to handhold a shot from a 50mm macro at 1:1 due to the short distance in order to keep focus and the extremely shallow depth of view.
2. If you are doing handheld shots, good lighting is critical. A macro with an "A" aperature setting will help a great deal because it will allow you to easily use a flash. While it will do in a pinch, the built-in flash is not ideal, first because the close firing distance often will create a harsh shadow and 2nd because some lenses will obstruct the flash because you have to be so close to your target. Ideally, use a tripod in a well lit spot and just take long exposures. A ringflash or ringlight would be great if you can get your hands on one. Of course, our Pentax's P-TTL makes those all the more difficult to obtain.
3. I find that while everyone loves the "fast" lens, in macro work, a high aperature is much more critical because it increases your depth of field. I usually work somewhere between f11-f22. Sometimes even smaller aperatures are better (unless you are going for some specific blurring effect in your photo).
4. If you insist on doing 1:1, (although many people seem hung up on this, I really don't think it matters that much), you will need to move the camera itself closer and farther since you can't let the lens do it for you. That is why a tripod with a zoom type head will make your life a lot easier.
5. Due to the close distances involved in using a 50mm Macro, it works best shooting inanimate objects. You can get many impressive shots of really ordinary objects that makes others scratch their heads wondering what it is.
Watches, a spindle of thread, fabric, a melon skin, everything becomes a whole new world!
I look forward to seeing photos from all of you! (And don't blame me if you get too close to that bee and it decides you need a closer look at its rear end!
)
I hope many of you more experienced hands at macros take the time to add your wisdom to this thread. If I am wrong or misinformed on anything I have written above, I appreciate any correction.
Once again, please, no equipment debates, let's work with what we have. The 50mm Macro.
Thank you.