Hello Taosikoya,
Between those two choices, I'd say the 50-200mm, simply because it's a telephoto and longer (focal length) lenses tend to isolate the in-focus subject better.
Having said that, zooms generally don't have great bokeh. There are a few exceptions, like f/2.8 telephoto zooms, which tend to be pretty expensive and bulky. If you're looking for GREAT bokeh, a prime lens is the clear choice.
Overall, I'd suggest a 50mm up to 100mm prime lens, with a wide (f/2.8 or faster) maximum aperture.
This is the classic "Portrait" focal range, and also is widely used for Macro primes, two fine examples of subject isolation, shallow depth-of-field and soft, smooth background rendering (good bokeh).
Try googling the word "Bokeh" instead of fuzzy or blurry. You'll find that in addition to the techniques mentioned in the previous posts (which are all very good, by the way), certain lenses produce better bokeh than others. Some are so famous for their wonderful background blur and out-of-focus rendering that they have their own cult status and nicknames. There is the "Bokeh Monster", the "Bokina" and a few others. You will find entire sites dedicated to showing examples of each lens to its best advantage.
For an inexpensive and easily-available start, look for a Pentax A 50mm f/1.7. You can also use the M 50mm f/1.7, but will lose auto-aperture. Both are manual-focus lenses. Shoot some head-and-shoulder portrait photos and perhaps a few close-ups of flowers or other small objects, all at f/1.7 or f/2.0.
You will clearly see the difference in fast-prime bokeh, compared to your zooms.
Last, check out this thread;
https://www.pentaxforums.com/forums/mini-challenges-games-photo-stories/93874...our-bokeh.html
Just some ideas for you, hope it helps!
Ron