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01-22-2013, 09:07 AM   #1
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Dynamic Range of Pentax 16 mp sensor

I've been around long enough to have learned and used Ansel Adams Zone System. The dynamic range of most B&W film was about 9 f-stops, from pure white to pure black. I have a old Zone VI modified Pentax 1 degree spot meter with the zones labeled on it. I have done some research but cannot find the dynamic range of the sensor in my K30 or for a modern CMOS sensor. I found it as being 60-70 db but that means nothing to me. Does anyone know in terms of f-stops the dynamic range of the 16mp sensor Pentax uses? Restated, at a given f-stop and shutter speed how many stops down to pure black and how many up to pure white?

Thanks

01-22-2013, 09:18 AM   #2
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It depends on the iso and format you shoot but in RAW at the lowest ISO it would be about 13 Evs of dynamic range captured.
01-22-2013, 09:28 AM   #3
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DXO did the measuring for you, but as Anvh points out above, this is under ideal conditions (and shooting in RAW format and post-processing it yourself):

DxOMark - Pentax K-30
01-22-2013, 09:53 AM   #4
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DXOMark values do not fit directly into zone system as there is usually considerably wide range below zone 5 than above--likely best if you take a gray card and take a range of exposures to find out for yourself and then rerate the speed/apply ev adjust. (Amazing what you can do with almost instant feedback of digital. _

01-22-2013, 09:58 AM   #5
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QuoteOriginally posted by Anvh Quote
It depends on the iso and format you shoot but in RAW at the lowest ISO it would be about 13 Evs of dynamic range captured.
My interest is landscape - camera on the tripod with lots of opportunity to fiddle with settings, so low ISO and raw is usually a given. Thanks for the info.
01-22-2013, 10:02 AM   #6
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On the output monitor, if sRGB, we have a range of 8 EV on each of the 3 channels.
View the complete color range for rgb() integer values
01-22-2013, 10:51 AM   #7
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Keep in mind the DR of the sensor will likely differ from that of a given monitor, as well as printed on paper.

01-22-2013, 10:56 AM   #8
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QuoteOriginally posted by Anvh Quote
It depends on the iso and format you shoot but in RAW at the lowest ISO it would be about 13 Evs of dynamic range captured.
Hi Anvh. Yo seem to know a lot about this. I tried to follow this on ther threads but everyvody talks about it as a "given" (is it said like that in english?).
How do you get to play with this 13Ev? Be it on LR or PS, how exactly do you get the 13Ev on a single picture? Layers and adjusting different exposure values for each? does 13Ev means you can change exposure with acceptable noise levels increase?

thanks,
Francisco
01-22-2013, 11:28 AM   #9
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There are few kinks in the cable of course.

The problem is that sensor is a linear (like) capturing device so that means the darker the part gets in the image the less information there will be captured. (this answer your noise question)
So of those 13 EVs captured not everything is useful.
Then there is the format it's displayed on, most monitors give you about 9 to 10 EVs and paper is about 6 to 7 EVs

As for the adjustments.
You need to play with the curves or the exposure settings like highlight adjustments, blacks and contrast.
But you're always playing with it really.


bit about ETTR that shows you a bit about what the linear information capturing i mean.
http://schewephoto.com/ETTR/index.html



If you like HDR you can look on google for pseudo HDR, that's HDR made from 1 image.
http://layersmagazine.com/hdr-in-lightroom.html

Last edited by Anvh; 01-22-2013 at 11:45 AM.
01-22-2013, 01:21 PM   #10
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Film and digital are quite different mediums. Another problem is that different softwares will interpret your raw files differently. They handle noise and other settings differently from each other.
There are also techniques like "HDR" and tonemapping that you can use to get more data to play with or to at least give the appearance. Good luck
01-22-2013, 02:21 PM   #11
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Post-production allows us to adjust the 14-stop image to fit the dynamic range of a monitor or print. This is not so different from developing and printing a B+W negative to preserve shadow and highlight detail. It's just dry and less stinky. Adams would be shooting digital today.
01-22-2013, 04:20 PM   #12
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That is the final detail I needed to hear.
Thanks to everyone who helped me with my question.
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