Originally posted by ToyTank They belong to the shelter. The girl in charge of the cats was just off frame with a toy. This is how the other photographer took photos of the cats, and it ok, but not really my cup of tea, I'd need to spend alot of time cloning to get real happy with them.
Myself backdrops are useful, but I like to have some distance between subject and backdrop so texture, fuzz, etc is smoothed out. I was thinking to look at thrift stores for a kids couch, put it a few feet from the wall and the backdrop. At the shelter they really like them, but I feel they could be MUCH better, and I leave the shelter motivated to improve my technique.
I always feel that way, too, when I leave the shelter. I usually learn something and try to do something different and better the next time. But even now, your photos are probably far, far better than what they usually have.
A couple of things to keep in mind with props (such as a kid's couch) are: (1) hygiene/cross-contamination; and (2) the potential that your props could make it harder for the shelter staff to get their work done. With respect to (1), if you use something like a blanket or kid's couch, then there is a risk that you'll transfer one animal's germs to another. (Not a big issue if they're already all running together, but sometimes the staff are keeping some animals semi-isolated, e.g., because one animal has worms, or an eye infection, etc.) You also would want to be able to disinfect well whatever you bring into the shelter and take back with you - you also don't want to expose your own animals to anything. With respect to (2), I'm not sure if you were planning to bring the prop to and from the shelter with you, but if you plan to leave it there, there might be storage issues - or the set-up for your shoot might get in the way of what they're doing.
I have learned (through trial and error) to ask first before I introduce props like backgrounds or other materials for my shelter shoots. I remember coming up with what I thought was a brilliant idea for my outdoor shoots - to bring a water-resistant roll-up picnic blanket to use as a seamless backdrop. I figured we could clamp to the fence in the park for an instant backdrop. Well, the system will work but I learned that: (a) we're not allowed to clamp anything to the fence (it's a permit issues problem) and (b) volunteers will have to hold the blanket up, which they're willing to do but they've already got their hands full either taking care of the dogs on display or speaking to passers-by to promote the shelter, solicit adoption applications, collect donations etc. So although my system will work and we're likely to use it some circumstances, it's not an every day-every shot solution.
One experiment I tried with portable (and disposable) backdrops has worked occasionally at the cat shelter: I've used gift wrap paper (either tissue or regular). You can tape some up on the wall (and possibly on the floor) for a shoot and then toss it. This also has the advantage of giving you lots of colour choices so that you can create a nice contrast between a particular animal's coat colour and the background. Another possibility (which I haven't tried yet but might try) is to get a Candy Stick backdrop, cut it down to about 3x4 feet or so and stick it to a piece of foam core or something similar. You can prop it up against the wall and wipe it down between animals (or when you get home).
I've linked to a photo (the Christmas card image) where I used wrapping paper as a backdrop. My cat (and husband) are about 15" from the wall and I'm about 3.5" away from them. (It was a cramped space so I couldn't get more distance between the subject and me and between the subject and the wall.) But you can see that the background is fairly soft.
Tonks
(That was our Christmas card for last year. I ordered more cards with the shelter's slogan on the back and will be selling them as a Christmas fundraiser in 2014.)
Of course, every shelter set-up is different and you might not have any difficulties. But I have been surprised by the number of unanticipated challenges that arise when I try to set up better environmental conditions for the photographs. It's not that people don't want to help. There's usually a work-around, but I don't know enough about how the shelter operates to be able to consistently predict the potential problems associated with my photographic "solutions".
---------- Post added 02-21-14 at 02:49 PM ----------
Originally posted by ToyTank I really like helping the shelter, and the fact I get photo credit in the paper and facebook makes it a total win-win. I have some spare time, and would like to know other ways people volunteer as a photographer.
I also volunteer at a wildlife rehabilitation centre (Wild Bird Fund). Primarily I do wildlife care, but I always bring my camera in case there is something interesting to photograph that would be useful to the WBF.
I've spoken to my vet's office and told them that if they have clients with pets that are terminally ill, I would be honoured to photograph their pets so that they have images to remember. It hasn't come up yet, but we'll see.
When I get better at pet portraits, I would like to offer pet portraits in exchange for a donation to the animal shelter.
This isn't something I've tried, but I took a class with a Mexican woman who did this. A couple of times on weekends, she has gone down to a park in her town that is frequented by a number of families with limited means. She has set up a backdrop outdoors and offered free portraits to families. She somehow managed to set up a printer nearby (not sure how she powered it) and offered instant prints. She said it was a great experience for practising portraiture and she got a lot of attention and some publicity for it. (She runs a graphic design studio and photography is her hobby - but the press coverage mentioned her business as well.)