Originally posted by RAART It does not... The red was a intense red as in the second screenshot... I mean more in that direction.
I thought so. Well I played a little... I see three approaches. 1. Use RawTherapee which appears to do a better job out of the box. This would have entailed a learning curve; I haven't used it before. 2. Adjust the Camera Calibration in ACR. 3. This is the approach I took: edit in ACR to get closer to what I want but avoid any clipping, saving all the information that is there. Export to ProPhoto RGB and do the rest in Photoshop.
My ACR settings:
We are still left with the weak reds of the Adobe Standard profile.
Let's edit Hue/Saturation/Lightness to our liking. Still no clipping in the histogram:
This does not look all that bad. The sensor actually did a good job here, and the exposure was OK (might have been a little less).
Let's see what happens if we convert to sRGB profile:
The red is now all clipped, but I can still see most of the details in it. Not a lot of difference on my Retina display, whose gamut is not really wider than sRGB.
We can keep this as our edited image, or go even further. All the details that we wish to retain are there in the green channel:
Let's copy the green channel and paste it as a new layer. Set the layer mode to Luminosity and this is what happens. You can control the effect with the layer Opacity.
All the red you may wish for, isn't it? This only works properly if your RGB and Grayscale profiles have the same gamma (1.8 in my case). Alternatively you can create a luminosity layer using the Channel Mixer, with even more control (eg, mix in some of the blue channel for a stronger effect). This will stay in RGB mode. If you don't like what this does with the other colours you can select the red, invert the selection and cut the rest of your luminosity layer.
Note that I converted all screenshots to sRGB for the web.