Originally posted by kent vinyard I guess the thing about Pentax that bugs me the most is why after the LX the just dropped the pro camera market. Had all of these great lenses and no pro bodies to go with them. nikon and canon both upgraded their old pro camera and kept on upgrading---Pentax just dropped off to low end cameras and serious amateur cameras. I hope we see a change of thinking at photokina next month.
The history according to Wheatfield
With an apology to Dr. Seuss
Once upon a time, a long. long. long time ago, there was a little company called Asahi Optical. They made nice lenses, and invented the SLR camera. They were a very innovative little company, and people all over the world beat a path to their door, so that they could own an Asahi Pentax.
These people were no one in particular (other than Paul McCartney), but what they had in common was a sense of pictorial aesthetics, unmatched by any other group in the whole, wide, world.
These people loved their Pentaxes, and in return, Pentax loved them, innovating new cameras, and making nice lenses.
And then, the world changed.
Pentax came to the conclusion that they had to innovate something extra special.
The little threaded fastening system that they used for putting lenses onto cameras was proving to be too small for the lenses they wanted to build, and people were complaining because it took forever to take a lens off a camera and replace it with another one.
There were, of course, the naysayers, those who said "My daddy used a screw mount, and a screw mount is good enough for me".
But in the end, it came to pass that a new era in Pentax cameras was born.
And it was very good.
Everyone was happy. The customers were happy. The new bayonet mount was quick and easy to use, they even innovated a way of aligning the lens to the camera completely by feel (sadly, a feature dropped for some reason), and the bigger opening allowed the lens designers who were the fair haired children, so to speak, to design even better, faster lenses.
Even the naysayers were happy. The new cameras looked and felt like the old ones, and you could put an adapter onto it so that you could screw and unscrew your lenses to your hearts content.
And Pentax sold even more cameras.
And the company was very profitable.
And so Pentax said to it's engineers: "Build a camera that you would like to build. Make it sophisticated, and jewel like, but also rugged and responsive. And above all, be innovative, to reflect the nature of Pentax.
And thus was the LX born.
A camera designed by photographic engineers for photographers.
A camera of innovation, a camera of sophistication. A camera of elegance and beauty.
A rugged, hard working camera, unlike anything Pentax had made before. A camera so ahead of it's time that a full two decades went by before they stopped making them.
A camera of legends.
But alas, it was Pentax's only foray into the world of "professional 35mm" cameras. They built it, but very few came beating on their door.
Which was fine, they made each one by hand and couldn't make them very fast, so the supply was quite limited.
It was, after all, a dream camera, and was meant for photographers of discerning tastes.
The reality is, Pentax never considered the 35mm format to be Professional.
To Pentax, Professional meant medium format, and they have made very fine medium format cameras, and these cameras have been used by many, many professional photographers, shooting everything from travelogues to weddings to high fashion. The names of famous photographers who have used Pentax Professional camera reads like a who's who of the photography world.
But that is another story, for another night.