I did a VERY quick trial for you on my studio rig.
This was done with a K-3II with a Pentax bellows and a reversed 50mm lens. The bellows was about 1/2 extended such that the lens mount was about 115mm from the camera mount.
Each Raynox filter is about 20mm away from the reversed 50 as it required a series of reducing rings (attached with black tape) to create an interface between the two.
The photos are of a metric scale with the divisions being millimeters.
As you can see, the bare reversed 50mm creates an image of approximately 8.5mm of the scale – about a 2.78:1 multiplier.
Adding either the Raynox M-150 or the M-250 filter results in some nominal differences, with the M-250 having a multiplier of about 3.2:1.
As has been mentioned before, the Raynox shows its stuff when coupled with a 100 to 200mm lens. I can achieve about a 1.6:1 ratio with a 100mm lens and a Raynox M-250. With a 200mm lens and stacked Raynoxes (150 + 250), I can get a 3:1 ratio.
I hope this all helps.
Photo #1 – Reversed 50mm (no Raynox) Approx. 45mm from lens to subject Photo #2 – Reversed 50mm with Raynox M-150 Approx. 27mm from lens to subject Photo #3 – Reversed 50mm with Raynox M-250 Approx. 25mm from lens to subject