Originally posted by atyab How about changing lenses while walking on a street and stuff? What are the things I should take care of and which equipment should I have just in case some dust does go in? I read about the air blower. Anything else?
No reaosn to carry a blower with you while walking around - it's not like you'll be likely to notice dust in time to do anything abut it, nor would you often be likely to feel like stopping somewhere safe for long enough to fix it. At most, run the dust removal every once in a while if you feel like being unnecessarily paranoid.
Mostly, though, just use common sense when changing lenses. Have the new lens ready to go (already in hand, rear cap off) before removing the old, and put the new lens on immediately (before bother to cap the old lens and put it away). Having the camera hanging by the strap around your neck makes this easy - the camera is open for only a second or two. Keep the camera pointed away from the wind, preferably more pointed down than up, and don't do if there is so much dust in the air it makes you cough.
Really, you might get a speck of dust a couple of times a year, and you might need to spend an extra few minutes cleaning up a few pictures (dust specks will only be noticeable when shooting at small apertures, and most when they appear in the sky). In the grand scheme of things to worry about that might ruin your photographs, I'd rank dust on sensor somewhere below the risk of accidentally shooting for an entire day on the "wrong" ISO or finding out you had left the camera in MF mode when you thought it was in AF, but maybe above the risk of accidentally shooting for an entire day with the lens cap on.
Quote: Is changing lenses while doing travel photography really an inconvenience?
I think it seems like it when you first get started, before you get the hang of how to change quickly, and before you develop a sense for what lens you will want to have on your camera. There are some common sense thigns to think about here, too: for instance, if you're with a group of people, and you come upon a scene where you can see wanting to take some shot with an 18-55 and some with the 55-300 (for instance), consider maybe taking all the 18-55's firs,t then all the 55-300;s, rather than constantly switching back and forth.
Sure, there may be times when a fleeting opportunity is missed, but really, I think this is hugely overstated. And the converse risk is that with something like an 18-250, there will be shots missed because it doesn't have wide enough maximum aperture, because its AF is too slow, or the IQ just won't be as good as you might have hoped for. Those risks concern me far more.