I am as humble as the next guy, I think, and I realize that I've taken no more than twenty or thirty photos whose loss would impoverish the world. But it's not all about me. I promise brides and other event clients that I will hang on to their originals for 1 year after the event; and of course there's the time between the event and delivery of photos to the client to consider as well. And while few of my wedding photos are as intrinisically valuable as one of Cartier-Bresson's old socks, they are valuable to my clients and would become valuable to me if I lost them and then got sued.
So I try to be careful with clients' photos because it's my responsibility to be; and I am careful with my own personal photos because, well, they matter to me personally.
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Digital
Here's what I do to keep my digital files safe.
- During the event, the 2 cameras that I shoot with mostly do not leave my sight - generally don't leave my neck - because they have cards in them. If one or the other of the 8 GB cards gets filled up, I remove the used card and put it into a cash wallet that hangs around my neck, inside my shirt. This is the same cash wallet that I used in China to carry about $14,000.
- As soon as I get home from an event (or if it's VERY late, first thing the next morning) I copy the photos off the cards and on to my hard disk.
- I then put the cards from the event into a box with a label ("Smith 11-12-2009") and place those in a special safe drawer in my office. These cards are not touched again until the DVD is delivered to the clients a few weeks later.
- Once the files are on the hard disk, I burn a DVD or CD to create a separate copy. This is where I'm most vulnerable. At this point, it would be very unfortunate for all concerned if our house burned down that night. So far, I've been lucky.
- Now I let Carbonite go to work. Carbonite is an online backup service. Costs about $50 a year and backs up everything in my documents folder - including all my photos. I leave the computer on that first night and indeed most nights, so Carbonite can do its thing. That means within about 24 hours (maybe less) I have an online backup of everything. Carbonite backs up my entire digital photo collection, everything I've taken since 2000 and all the raw files since January 2007.
- Next day, I sync the My Pictures folder with a mirror of it on a 750 GB external drive. This external drive is not my primary backup: that's Carbonite. Carbonite backs up everything automatically, while I sync the external drive only when I think about it - sometimes once a week, sometimes every month or so. At the moment, for example, I don't have anything on this drive at all. It developed a problem and, after triple-checking that everything is there on Carbonite's servers, I initialized this drive and fixed the problem. Now I have to start over.
- Now, for the next couple of weeks, changes continue to be backed up by Carbonite, plus I have THREE other copies of everything (original SD cards, DVD or CDs, and the mirror on the external drive) so I don't worry too much at this point. I really should send the DVDs to my mother's house but my mother is a nicotine fiend and actually her house is much more likely to burn to the ground than mine. So I'm basically trusting Carbonite at this point.
- As I finish editing photos, I export them to jpeg, and then upload either to SmugMug or to Picasa Web Albums. I try to work on the best or most interesting images first in part because I like to eat my dessert before I eat my green beans, but also because that way I get those images processed for showing to clients and also because it means they're out of my house and saved somewhere online (besides Carbonite's servers).
- When I finish, I usually send the client a DVD of full-res jpegs of all the photos I picked. That DVD is accompanied by a note to the client advising them to take care of it and letting them know that I won't keep their originals for more than 1 year.
- If the photos are personal rather than for work, the processed copies get uploaded a.s.a.p. to an online gallery, nowadays, Picasa Web Albums. I just paid $5 to increase my storage at Picasa Web Albums to 20 GB for the next year. I'm thinking of canceling my very old Flickr account and moving all those old photos to Picasa. Anyway, a copy of everything that I value personally ends up online.
So much for the digital files.
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Print
I should add that, while I didn't start taking digital photos until 2000, I've been working with computers since about 1985. I have extensive experience with lost files and files not exactly lost but grown inaccessible due to changes in file formats. I've lost book manuscripts (well, one book MS). I've lost the digital versions of musical works, poems, letters, articles, and much more. I have very little faith in digital formats. We have substantial fragments of the Bible on papyrus dating back 2000 years, and entire copies of many texts that aren't much younger. I'll be stunned if I look back from heaven (or, um, wherever) in 2000 years and see that ANYBODY still has a "computer" storing "jpegs." Forget 2000. I'll be stunned if I'm storing my own files in 20 years the way I'm storing them now.
So, finally, I try to get the best photos into print. I try to put together a photo book for my wife of the best family photos, once or twice a year. Nothing too fancy or too expensive. I make individual prints of the handful of my favorite shots, some for framing, some simply for safe keeping. If I were really scrupulous, I would make at least a small print of everything that I cared about more than just slightly. I don't do that yet but I keep thinking I'm going to start soon.
Will