Originally posted by MrApollinax I'd forgotten how many rabbit holes that thread opened up, its definately helpful to the is topic. Lots of links to relevant points in there all.
Originally posted by reeftool It is possible to create background blur while panning when shooting a moving subject and its not the same thing as bokeh or at least my understanding of it. Maybe someone who knows the Japanese language can fill us in on what the real defination is.
I wonder if the great bokeh in some lenses were by design or happened by accident? Lens reviews for years always talked about sharpness at all the openings, contrast, etc and it seems like only recently that reviewers are rating bokeh. I recently read a review of a Canon prime somewhere that got some thumbs down marks because they didn't like the bokeh. I just don't remember as much emphasis on it 20 or 30 years ago, rating a lens on how nice the out of focus areas look and I wonder if it is now included in lens designs.
Lens designers for a long time have considered a lens oof (out of focus) rendering. It was the raison d’être of the early Zeiss Sonnars among others. They sacrificed some sharpness to be slightly under corrected for spherical abberation resulting in a softened overall appearance in the result.
I think bokeh is just a definitive term relative to the consideration of the oof on its own merits, rather than just calling it blur, which has been pointed out can be used to describe several not sharp results, but not all by intention. Bokeh is intentional.
Thats not to say that some lenses not intended to be specifically great at bokeh, aren't also able to produce some, but its probably more often the case that lenses spcifically designed to produce a pleasing oof are able to accomplish this under a wider array of adverse shooting conditions.
Most kit lenses or economy lenses do not cater to this fine wine tasting of bokeh appreciation. Its something a lot of people on a budget simply do not care enough about to spend extra for. However, once you develop a taste for it, there is a virtually limitless amount of money that can be spent on your wine cellar/lens collection.
Look up the Minolta/Sony 135STF and the Leica Noctilux 50/1 as two immediate examples of lenses spared little or no expense in the pursuit of bokeh.
Kelly.
Edit, Gooshin beat me to it, nice example!