Forgot Password
Pentax Camera Forums Home
 

Reply
Show Printable Version Search this Thread
05-26-2009, 07:08 AM   #16
Veteran Member
Kguru's Avatar

Join Date: Jun 2007
Location: Perth - WestAust
Posts: 602
Could someone please explain why the 36mmx24mm format was called 35mm?
I have also seen 135 used as well, what has it got to do with 135?
Thanks.

05-26-2009, 07:32 AM   #17
DAZ
Loyal Site Supporter
Loyal Site Supporter
DAZ's Avatar

Join Date: Sep 2006
Location: Everett, WA USA
Photos: Gallery
Posts: 744
QuoteOriginally posted by Kguru Quote
Could someone please explain why the 36mmx24mm format was called 35mm?
I have also seen 135 used as well, what has it got to do with 135?
Thanks.
35mm is the width of the film including the holes. In still photography the photo is sideways so the space between the holes is about 24mm. So in theory the photo could be as wide as the film but was set at 36mm giving a photo 36x24. As for the 135 think of it as an old Kodak part number that described all of this and the cartage that the film came in. The number isn’t related to size as 120 is bigger but 135 came after 120 so it has a bigger number. These numbers now have ISO (not sensitivity as ISO stands for International Standards Organization) that describe all of this. This is all history and as to why it was 35mm you need to blame Edison and Eastman.

DAZ
05-26-2009, 07:46 AM   #18
Veteran Member
Kguru's Avatar

Join Date: Jun 2007
Location: Perth - WestAust
Posts: 602
QuoteOriginally posted by DAZ Quote
35mm is the width of the film including the holes. In still photography the photo is sideways so the space between the holes is about 24mm. So in theory the photo could be as wide as the film but was set at 36mm giving a photo 36x24.
Great, thanks DAZ.
If I had remembered the 35mm movie format I would not have had to ask
05-26-2009, 07:56 AM   #19
DAZ
Loyal Site Supporter
Loyal Site Supporter
DAZ's Avatar

Join Date: Sep 2006
Location: Everett, WA USA
Photos: Gallery
Posts: 744
QuoteOriginally posted by Kguru Quote
Great, thanks DAZ.
If I had remembered the 35mm movie format I would not have had to ask
Just a reminder, 35mm film is sideways to still so it is 24mm wide to stills 36mm wide.

DAZ

05-26-2009, 09:21 AM   #20
Veteran Member




Join Date: Dec 2007
Location: Northamptonshire - England
Photos: Gallery
Posts: 496
QuoteOriginally posted by RioRico Quote


In Game Theory and Linear Programming, this is called a MiniMax Solution - trying to reach a maximum gain with a minimum cost - but the gains and costs are always defined differently with each distinct problem (goal), and they can be manipulated with time. So we try to get the maximum gain NOW while delaying the costs until LATER, like using a credit card. When I software-engineered financial systems, a corporate paradigm was: Never Time To Do It Right, Always Time To Do It Again. Which meant, get the software system written fast so it can be announced and sold, then spend the next couple years fixing major bugs. How many of us play similar games with our lives, hobbies, careers?
Thats why no microsoft OS is any good until they are already anouncing a new one and making the now usable OS unsuported
05-26-2009, 09:22 AM   #21
Veteran Member




Join Date: Dec 2007
Location: Northamptonshire - England
Photos: Gallery
Posts: 496
QuoteOriginally posted by DAZ Quote
35mm is the width of the film including the holes. In still photography the photo is sideways so the space between the holes is about 24mm. So in theory the photo could be as wide as the film but was set at 36mm giving a photo 36x24. As for the 135 think of it as an old Kodak part number that described all of this and the cartage that the film came in. The number isn’t related to size as 120 is bigger but 135 came after 120 so it has a bigger number. These numbers now have ISO (not sensitivity as ISO stands for International Standards Organization) that describe all of this. This is all history and as to why it was 35mm you need to blame Edison and Eastman.

DAZ
thats right a number was asigned to each film type the fact that 135 happens to have 35 in alsomost coincidence with 36 wide frame is merely a coincidence
05-26-2009, 11:26 AM   #22
Moderator
Site Supporter
Blue's Avatar

Join Date: Jun 2008
Location: Florida Hill Country
Photos: Gallery | Albums
Posts: 17,377
QuoteOriginally posted by Cosmo Quote
8x10 inches.
I knew somebody would!

05-27-2009, 03:05 AM   #23
Veteran Member
RioRico's Avatar

Join Date: Jun 2008
Location: Limbo, California
Posts: 11,263
QuoteOriginally posted by Cosmo Quote
8x10 inches.
QuoteOriginally posted by Blue Quote
I knew somebody would!
Pshaw. 12x20 inches. I almost bought a cam that size once, but I couldn't fit it all into my car. (Not a small car, just a huge tripod et al.)

Let's see, what's that big Polaroid, 20x24 inches or something like that? Now we're getting up to a MANLY camera, a Paul Bunyan camera. A 20x24" CCD sensor would stare Zeus in the face and say, Back Off! Isn't that about the size of a Blue Whale's retina? So it's not unprecedented. Hmm, I'll have to research the visual systems of giant cephalapods. Maybe they'll be models for future generations of digicams. Large digicams. MANLY digicams. No wimpish Canon or Kodak sensors allowed here, no way.

[Watch out, he's raving. Where's the Thorazine?]
05-27-2009, 03:37 AM   #24
Veteran Member
ytterbium's Avatar

Join Date: Jan 2008
Posts: 1,076
Im not sure if ideal sensor size can or should be defined.
Im leaning more towards ideal pixel size.. wich, if i'm correct, was infinitely small (to register color value of single point and not an area).
This leaves some ideal pixel pitch or resolution per unit for wich it is easy to design and USE* optics, i guess. Then the sensor size would be determined by the required resolution.

*Smaller lenses are better but needs to be very precise and are more sensitive to overall image quality reduction if they get a dust, fingerprint or scratch on them. Where bigger ones just render a small spot in some part of image and dosnt reduce contrast or introduce haze/fog.

Have there been tries to fabricate and position microlenses in such way that you dont need any more lenses?
So that each microlens has such amount of offset in required dirrection it projects required image part on the pixel. This could potentially allow for extreme aperture ultra wide distortionless imaging, because you need to project good image only on one pixel (per lens).
05-27-2009, 10:36 AM   #25
Veteran Member
RioRico's Avatar

Join Date: Jun 2008
Location: Limbo, California
Posts: 11,263
QuoteOriginally posted by ytterbium Quote
Have there been tries to fabricate and position microlenses in such way that you dont need any more lenses?
So that each microlens has such amount of offset in required dirrection it projects required image part on the pixel. This could potentially allow for extreme aperture ultra wide distortionless imaging, because you need to project good image only on one pixel (per lens).
I brought up this idea in my early days on PFC, (mis)labeling it as "affective optics". The structure would be similiar to a planar affective antenna array, composed of numerous small elements that are electronically 'tuned' and 'aimed' by varying phase relationships of control voltages - thus the planar antenna can be of any effective wavelength and aimed in almost any direction without any physical movement or changes.

Optically, we'd have our pixel-site array, each site with a floating microlens that can be magnetically 'focused' and 'aimed' to sit at the desired angle and distance from the pixel site. The entire array would act as a 3D interferometer, effectively with any desired focal length, aperture, and aim. Such an affective 'lens' could, without itself moving, track and focus on any objects within its 180-degree field of view (although it's effective FOV would more likely be closer to 155-165 degrees).

That's the theory (or wild-eyed-fantasy, at least). I'd be surprised if NOBODY was trying to design and build such, but I have no idea who or where, or if they'd reveal anything about it. Talk about trade secrets! And commercial implications! Such would shut down the optical glass factories and design studios. And could lead to a total surveillance society.

Imagine: here's a chip that can 'be' a 1-100k mm zoom, f/0.1-100k, total AF and SR/IS, for any format from pinhead-PNS to 1x2KM, still or video, any spectral slice, etc. It wouldn't be necessary to fabricate huge chips for large formats, just tie together as many as you want in an array (it's an interferometer, remember) - and the linked array needn't even be flat, so you could have a cam-ball with total 360-degree vision. A rather small cam-ball, even. You think this might be handy for surveillance and spying? Ya, I suspect much development work is ongoing.
Reply

Bookmarks
  • Submit Thread to Facebook Facebook
  • Submit Thread to Twitter Twitter
  • Submit Thread to Digg Digg
Tags - Make this thread easier to find by adding keywords to it!
camera, ff, photography, sensor, size

Similar Threads
Thread Thread Starter Forum Replies Last Post
Sensor Size RHN12 Pentax DSLR Discussion 2 09-29-2010 07:14 PM
Sensor size vs. DOF future_retro Photographic Technique 24 09-16-2010 04:30 PM
New Fujifilm F80EXR sensor size Mystic Canon, Nikon, Sony, and Other Camera Brands 14 02-09-2010 09:27 AM
Sensor Size of 645D RiceHigh Pentax Medium Format 32 03-31-2009 11:32 AM
DOF and sensor size simons-photography Photographic Technique 60 04-23-2008 10:55 AM



All times are GMT -7. The time now is 12:10 PM. | See also: NikonForums.com, CanonForums.com part of our network of photo forums!
  • Red (Default)
  • Green
  • Gray
  • Dark
  • Dark Yellow
  • Dark Blue
  • Old Red
  • Old Green
  • Old Gray
  • Dial-Up Style
Hello! It's great to see you back on the forum! Have you considered joining the community?
register
Creating a FREE ACCOUNT takes under a minute, removes ads, and lets you post! [Dismiss]
Top