Originally posted by creoleart Hey!!! I was wondering ... Can I use direct flash at the reception?!!! LOL!!!!
Ok now, seriously, could you elaborate a little on this? Is it because it is just so bright it is annoying and disctracting? Do people get mad? I have heard about not to use a flash during the ceremony, but I am glad I have read your warning for the reception as well!
During an outdoor ceremony, I would use flash for fill. I usually do. But first, before EVERY ceremony, I make it a point to find the officiant (priest, minister whatever) and go over his rules or lack of. Normally, in a church you can't use flash unless you have a cool officiant...which doesnt apply to you on this one. But for an outdoor ceremony they usually say you can. Still, I would make sure and meet the minister before the ceremony on the day of and go over the ceremony, what is going to go on, and what the rules are. Usually the officiant is a very nice person and can give you some tips on where to be during the ceremony.
Now, about not using direct flash at the reception (direct flash, is to point your flash directly a :
This is assuming that the reception venue is an indoor thing. With direct flash, you are probably going to have a properly exposed subject, and somewhat of a black background with a terrible harsh shadow outlining them. Its gross and very unprofessional.
The reason I was suggesting that you get the 540 rather than the 360 is because you will never catch me using direct flash. The 540 swivels more articulately, and can enable me to bounce off of walls really anytime. I don't like to bounce off of ceilings because it creates shadows in the eyes...
Anyway, if you bouce off of a wall, you are creating directional light that hits the subject from an angle. The light fills the eyes and get into the neck and generally light the subject well.
Flash that hits the subject in a straight line from the camera to the subject is not only very harsh, creating hotspots on the face and clothing, but also casts a dark shadow directly behind the subject and creates a terrible outline.
Here are a couple of examples:
Below, you can see that the flash is pointed directly at the subject. The light does not spread very far, and you can see the shadows behind the subject
first person view (of a different shot) :
Below is the same composition with the flash pointed up. You can see that the light is filling much more of the area, and the shadows behind the subject are decrease or eliminated, because the light can bounce down and fill the area behind the subject. Also, the light isnt directly pointed at the subject, so those harsh shadows are not cast back there.
first person view (of a different shot) :
These arent the greatest examples, but I think you might get the point.
Also, I googled: example of direct flash, and a couple of examples and tutorials popped up. Try that too.
Mitch