Trishytee,
I often say that wedding photography is just about the hardest kind of photography there is. War photography might be more dangerous, but the photographic opportunities seem to be terrific. Just look through any history of photography and count the number of great war photos. You can count the number of great wedding photos, too - if you can find any.
I go to weddings expecting everything to be bad. I expect somebody important to be on edge. Light will be lousy. Schedule for everything will be rushed. And I also assume that I'll have a problem with some part of my equipment. That's why I bring 5 lenses, 4 flash units, 3 cameras, 2 tripods, and a partridge in a battery tree. (Aside from the partridge bit, those numbers are in fact correct.)
Originally posted by trishytee Well that was pretty daunting. I don't think I got any really good shots. First the celebrant had them facing the sun and I couldn't really intervene.
Was there a rehearsal and did you attend? This sort of question has to be brought up before the day of the wedding.
But sometimes it just happens. I gather it was an outdoors, afternoon wedding. One answer: fill flash. Another possibility: find an angle where you can shoot from the side and get nice highlighting in their hair. You can't always shoot the bride and groom's faces during the ceremony.
Quote: Then my flash seems to have a loose conection and did not fire (no one told me) so many shots have shadows.
Well, now you have had that happen to you! Good lesson to learn. When shooting flash during the day, you may have to ask the subjects if the flash is firing - although you should also get used to the way the flash recycles, which is something you can probably watch on the back of the flash unit. If it doesn't recycle, it probably didn't fire.
It's a valuable lesson that we all have to learn: equipment failures are our fault. That's why it's necessary to bring 5 lenses, 4 flash units, 3 cameras, etc. I've had tripods break on me, flashes fail, and lenses stop talking to the camera. I do everything to make sure my equipment is in tip top shape before a wedding because NOT having a problem is definitely the plan. But having backups is next best.
Quote: I also seem to have no sharp focus? I was on the 'green' metering as suggested here.
Hmmm. I have never shot in green mode on the camera. I would have suggested at least using P. You were using a K20D? Or what? I can't remember.
Quote: I went onto automatic programme eventually
What's that? You mean P?
Quote: ...and the one under the tree is 1/180 f11 and I think I was too far away for the flash to make a difference (I had a difuser on.
You are correct! Shooting outdoors, in the sunlight, a diffuser is usually pretty pointless. I saw a guy at the Dallas Arboretum - wedding photographer central in Dallas - using a flash pointed up with a Gary Fong Lightsphere on it. Maybe he thought the light would bounce off the trees and the few clouds.
As for your aperture - f/11 is not really an aperture you would use for flash under any circumstances, well, not very often. Remember, aperture and shutter speed have a somewhat different effect when you shoot with flash than when you shoot normally without flash. Shooting with flash, aperture basically controls how much of the light from the flash makes it to the sensor. The shutter speed on the other hand controls how much of an effect the ambient light has. The flash burst is extremely fast and you can't stop it with your shutter speed! The only thing you can do to limit the amount of that burst that makes it to the sensor is close or open the "door" it's going through (i.e. the aperture). Anyway, at f/11, very little of the flash is making it to the sensor. And if you stand too far from the subject, then you're weakening the flash power to start with due to the
inverse square rule.
When I'm shooting outdoors in the afternoon, if I can't get out of the bright light, I'll use fill flash. But even then, I usually try some shots with the flash turned off. Just reach up, turn it off, reconsider exposure for available light. Not sure what your ISO was here (doesn't seem to be embedded in the posted image). Anyway, f/11 was a mistake here, with or without flash. With flash, f/11 means the effect of the flash will be reduced to nothing. Without flash, f/11 gives you tons of depth of field - but you don't NEED tons of depth of field here. I'm pretty sure I'd have taken that photo at something close to f/4, perhaps even f/2.8.
Will