Originally posted by johnmflores The blurred foreground is interesting in the shots. In real life everything's in focus - you're eye's constantly scanning and bring things into focus. With your shot I found myself drifting to the foreground but not being able to really read it that well in 3d. I'd always been curious about the DOF effect in 3d and now I see it. Thanks.
I'd imagine that going with a smaller aperture and greater DOF will produce a shot that mimics reality more closely, but sometimes the shooting situation doesn't make that possible. This may be one situation where a smaller sensor actually helps.
Absolutely agree about focus. I put these pictures up hurriedly to demonstrate a point to a correspondent in another forum. It was not a well chosen photo in many regards. DOF: I believe that this is an inherent problem with beamsplitters such as the Pentax Stereo Attachment: it craves a large aperture, and if you give it a small one the vertical shadow becomes so pronounced that it masks too much of the picture. In this instance I was lying flat on the ground with my elbows as bipod so I could not avoid the extreme foreground. I had a shy and nervous subject so I was limited in manoevering to get a clearer shot. All in all a photo that does not work real well in 3D! My apologies. This is precisely the situation where a twin camera rig with electronic shutter control for simultaneous exposures would work best. I don't have one.
I hope I'm not putting anyone off playing with 3D. Its great fun and when properly executed literally provides a whole new dimension to photography. Some of my most satisfying stereo photos have been taken in the "Cha cha" method: taken two photos in quick succession, shifting one's weight from left foot to right. So simple. Limited to static subjects: breezes that disturb leaves, cloud movement etc all spoil the stereo effect.