Originally posted by Cosmo I hate "arty" photo titles (the capture a stranger thread is full of crap titles), and I really dislike song lyrics being used as a title, unless it holds some significance to the photo.
Almost all my work goes untitled, mostly because I can't be bothered. I'm mostly interested in photojournalism, so if I were to title my work, the title must be factual and very relevant to the photo. So I would name the place/country the photo was taken, the year, and maybe something from in the photo.
I agree. Arty or artsy titles are a huge turn-off for me.
I'm a songwriter, and I can't imagine ever wanting to use song lyrics as a title.
Factual and relevant--I like that. Concrete nouns or place names. Genus and species.
Originally posted by CWyatt Generally I like the Cartier-Bresson type approach - the title was mostly just a basic statement of location or street. Other street photographers do this too, not just HCB, his just stand out in my mind. I think it's good - it doesn't lead the viewer but gives a context, and is somehow also part of the understatement (or something) which defines good street stuff. Small moments, great images.
Personally I almost always really dislike photo titles which impose or imply an emotion on a subject in them. Even worse if it's staged. But even street ones that are titled to try and tell you as the viewer what the people in them are thinking or feeling = instant dislike.
Yes, Cartier-Bresson knew what he was doing, with camera and titles. Ansel Adams, too, for that matter, though he was about as far from street photography as you can get. (Although his often overlooked photographs of Manzanar are very different than his more well-known work, they, too, have simple titles.)
Abstract nouns and philosophical phrases fall into that "let me tell you what you're supposed to feel about this photo" category. They're almost always huge turn-offs for me. If the photo can't stand on its own, it should be led posthaste to the nearest trash bin.
On the other hand, I think leaving a photograph untitled makes it hard for the viewer to talk about the work. True, I think a photo has to stand on its own, but a simple, factual, concrete, reality-based title lets that happen without imposing on the viewer. And it makes it much easier to refer to a photograph.
For instance, that photograph by Cartier-Bresson? The one with the man leaping from a board over some water near a railroad, and you can see his reflection in the water, and there's a ballet poster on a wall in the background, mirroring the man? Isn't it easier to use the title? "Behind the Saint-Lazare Station, Paris, 1932"?
My titles are almost always simple, factual. The intention is to give the photograph the opportunity to stand on its own rather than loading it will all manner of, well, whatever.
That said, I have tons of photos I've never titled, mainly because I haven't printed the negatives or edited the DNGs. And sometimes I give photos simple working titles that might change if and when I print and prepare them for display.
Anyway, it's good to think about our rationale for titling photographs. And for the photographs themselves.
Good thread.