As fantasy goes, that was light reading.
Pentax isn't doomed any more than the other majors, but we photographers certainly are if the status quo keeps rolling along at its current pace.
The mainstream camera industry is at a plateau that is going to take a lot more concerted effort to to overcome than megapixels, frames-per-second, and sensitivity performance. Pentax is in the same doldrums that Canikony are. Menus, Buttons, and E-dials, oh my! There's so much yawning similarity between Canon, Nikon, Pentax, Sigma, and Sony that they're all just one big gaussian blur of status quo.
The only real player right now in the innovation game is Fuji. They're taking hard looks at everything that was truly awesome about film photography and rejuvenating it with 21st century technology. I've been distantly smitten by them for over a year now, but I really wasn't sure why until I read
David Hobby's article on PetaPixel. Him talking about their wholistic approach to color rendition got me thinking about the rest of their system. The whole camera experience is thoughtfully artisan minded. The X-T1 is what the Nikon Df should have been, but couldn't be because ... Nikon. Canon would have flubbed it too, as would Pentax - because they're all still stuck in an endless marketing loop of specs driven one-upmanship.
Fuji walked away from that unwinnable battle in favor of building artisans' tools; functional, insightful, beautiful tools. They realized that many of us really don't want rapid-fire photon cannons. We want versatile brushes and sublime paints. The only question I have remaining is "Do I buy a fedora or a beret?"
/esoteric-rant