Ansel Adams didn't much care for the term overexposure (or underexposure) because it implied that it was an error in calculating how to expose the photograph on the part of the photographer. I'm guessing this was intentional in this case, especially given your comments.
I like it because it breaks with the tradition of showing the light side of the face and clipping the shadow for the dichotomy of man type shots. I'm sure nearly every photographer has taken at least a few of these, but how many have thought to blow out the light side of the face and keep the dark side? It's a gutsy choice, will it be a failure in some peoples eyes? Sure.
Just remember what Garry Winogrand said "Great photography is always on the edge of failure"
My biggest criticism would be how centrally framed this is, I think you could have had a more interesting composure.
Best,
-Q