Originally posted by MarkJerling Nice shot! So, how's the new toy?
I'm still getting used to the K-70, but it seems like a worthy upgrade to the K-50.
It seems a bit more angular than the K-50 but still perfectly comfortable to hold. Because of the articulating screen, the position of some of the buttons has moved compared to the K-50, but in some respects they're more ergonomic, for example in the K-50 the AE-L button and the image review button are very close, and I'd sometimes find I'd hit the image review button instead of AE-L when I was trying to lock the exposure, but that can't happen on the K-70, and the AE-L is in a more accessible position.
Video mode selection has moved to a position on the power switch, which I haven't made up my mind about although I guess it makes sense as you can set AV or TV and video mode, but hey, I don't think anyone buys Pentax for it's video capabilities right?
At first I had a wee panic, as I couldn't find the multi-exposure mode (yes I actually use that sometimes), but it turns out instead of locked away in the menu, it's under drive modes, so actually more accessible, and the drive modes offer heaps more options than the K-50, although one thing that bugs me is on the K-50 I could select between the main modes using the rear control wheel, but on the K-70, it seems you have to use the four way controller which is slower.
I might be needing to invest in some additional storage space on my laptop sooner rather than later, as there's a big leap in raw file size. On the K-50 DNGs came in at between about 16-20MB each, on the K-70, it's 30-40MB. There's an increase in bit depth from 12-14 bit as well as the increase in resolution, so I'm not surprised.
I'm actually thinking I might keep the K-50, and finally part with the elderly K-x, as there are times I'm not sure I need 24M pixel, but there are plenty of times raw has saved my bacon. 14 bit raw is a nice step up and means I should be able to recover more highlights and shadows, but if I don't need a big file, then going to jpg I lose any higher bit depth advantage, so might be better off shooting raw on the lower resolution sensor if I don't need any of the other new features of the K-70.
I think keeping two bodies is useful in case of equipment failure, also for flexibility. I shot a wedding for the first time earlier this year, and still having the K-x turned out to be useful, as I had a 17-70 2.8-4.5 on the K-x and 70-200 2.8 on the K-50, and it's quicker swapping cameras than changing lenses.