Originally posted by Aboudd Brand loyalty from a pro? Fogeddaboutit! As a pro shooter for 35 years I - and I am sure many others- buy for our budget, needs and performance. I have owned Minolta, Nikon, Canon and Leica in 35MM format, Mamiya, Pentax 67 and Hasselblad in MF (film), Sinar, Calumet and Toyo in large format. I've taken a similar path with digital, changing gear more technology advances make it necessary.
I now use two formats, the Nikon D3s and the Pentax 645D, with which I replaced the D3x. Earlier in this thread someone said that each format has its specific uses, it was true with film and it is even more so with digital. I would not expect to use my Pentax 645D in the same situation that I would need the high ISO/high frame speed D3s. If a viable shift lens was available for the 645D my Nikon would sit in the closet 80% of the time, but it isn't so for those jobs I use Nikon and the PC lenses. Conversely, when I want better detail, in macros and landscapes, the 645D is the clear winner. As to the high megapixel count of upcoming DSLRs, even with a count close to the 645D, which is still in question, they won't have the same output results. Packing more pixels in a smaller amount of real estate, to this point, hasn't yielded the best results, and the lack of an AA filter on the 645D yields sharper RAW images.
So far the 645D has gotten justifiably rave reviews for output and build quality. The question of the camera's survival has more to do with the corporate culture at Ricoh than anything else. If they treat it as a halo product, choose to update it next year, finally get new lenses to the market, enhance their tech support and service, support the brand with more advertising - a better web site would help - it will thrive. If they continue with the current path, I have my doubts. In the meantime I look at it this way. I am getting fantastic files with the same sensor that is in the Leica S2 at less than half the price, with used glass available at a third the cost of an i-Pad and, what does it tell you that Leica produces an adapter to use Pentax glass on the S2? If you think you need a MF digital for field work, I can't think of a better camera than the 645D.
Good morning,here,Aboudd. Your communication is well reasoned and logically presemted. As such it was a treat to read. It can't hurt that you ultimate conclusions are similar to mine.
Through the years I have used too many cameras to name (though I will say my favorite 35 was my Contax RTSIII and my best MF was the Pentax 67) - I owned some and borrowed or rented others, always for special needs. Now, at age 75, I have turned away from film in favor of the dramatically superior results available through digital phogography. When I finsh selling cameras and lenses I will end with three cameras: Sony a900, 24.6mp; Sony a350 (backup) and a Pentax 645D. The Sony cameras will use either Zeiss or Sony G lenses and, except for one lens, the 645D will have a wide range of Pentax glass mounted. The exception here will be a Zeiss Jena, 180mm, f/2.8 Sonnar lens. This one will be used only in the studio or under hightly controlled remote site conditions.
My studio lighting will make use of six monolights, reflectors, snoots, barn doors and soft boxes. My field lighting will be one or two Sigma Super flashes with Fong domes. I use Sigma flashes on both the Sony a series cameras and on the Pentax.
I will not use the 645D for most field work, since at my age it will have to be tripod or monopod mounted.
I am confident that my choice of cameras will permit me to accomplish anything I need to do.