Originally posted by Silent Street No, Paul doesn't need to calm down. YOU need to come off the glue.
The idea is complete madness. I guess you have the money to afford a new 67 given that replacing the shutter is so uneconomical (labour charges alone — where you can find them, will be about 8x the cost of a mint-used camera). Go ahead and screw the 67's imaging quality with a piss-poor Chinese toy to take film no bigger than a postage stamp and which in all likelihood could well tear and perforate the shutter; it appears from your previous posts you have no real idea of the risk at the moment. Perhaps try and learn from the experiences of photographers who have worked in the industry for decades rather than in toy shops. Some of us know how and why disasters happen.
don't mean to start a war, and when I said 'clam down', it meant to be easing the tension, not as instruction.
each to it's own. Some like it, some don't, for those who is interested, my experience here may helps.
But I do appreciate you sharing your concerns and experience of what this might do to the camera.
Originally posted by bibz I like the effect, and it looks fun. That's what photography is about. If you really are after the superior image quality why are you using some punk 67 and not a real camera like a 16x20?
Rules in photography or any art are completely bloody stupid.
FF shooter said APSC shooter is amateur, MF shooter laugh at FF shooter, but then we have Large Format shooter... I am not going into that for sure.
I do find couple more images, for those interested! (this guy seem to have shoot a lot of it), he shared his experiences with me.
I already did most of what he suggested, but the following may helps others:
1. cock the shutter right before you shoot will help with film flatness;
2. Also, turn the film back to it canister to 'tighten' it before you put it in the camera, this will helps the film stay flat.