Originally posted by 6BQ5 would guess that even a perfectly constructed lens has a theoretical resolution limit
Schneider and Rodenstock* both specify the pixel pitch suitable for use with their top of the line optics it is usually within the 5~7 µm range**. They also offer comprehensive charts on MTF, distortion characteristics, chromatic aberration and vignetting that allow for the true character of the lens to be known before you buy it. Pentax, Leica and Zeiss do not mention this limit - and I suspect they don't build lenses to suit sensor pixel pitches***, but Schneider and Rodenstock being top of the line cost-no-object lenses they can afford such excruciatingly high tolerances...and their prices show it.
* Angenieux also do this, their high performance cine lenses are built to neurotic tolerances - which explains why the median price for their lenses is around $20,000.
** there isn't anything inherently wrong with using a lens designed for a 7µm pixel pitch on a sensor with a 5µm pixel architecture. However the resulting will probability need adjustments for chromatic aberration - using lens with 9µm chromatic aberration on a 5 µm sensor will make the chromatic aberration more obvious than it would have been on a 7 µm sensor - and yes, Schneider and Rodenstock do control aberrations like that down to the micron level.
*** The Zeiss 50mm f/1.4 Otus and the Leica Summicron-M 50mm f/2 APO being a notable exceptions to this, which is rare in the world of 35mm optics.
Last edited by Digitalis; 04-17-2014 at 06:00 PM.