Originally posted by 72ndPoolShark This is a nice comparison, but I would really love to compare these shots in their RAW forms. In particular, how elastic each file is. Yes you can get a bit of an idea of this as many have pointed out the NR applied to the Canon 6400, but I'd like to see how much you can recover in shadow and highlight for each camera. Trying this to the JPGs is pointless.
In the end this is like comparing a V8 engine with 300hp to a V6 with 300hp. The V6 will have to work much harder to get there and there will be less understood advantages to the V8, like torque and power curves. FF systems at the 50mp range seem at or close to their limit. The EF 50mm Macro lens used in this comparison certainly is a very good lens but venture past the normal range and see what happens. Sure 5k is a steep price for the Pentax UW but I'm betting a comparison of that lens against ANY comparable wide for FF would be very dramatic in favor of the 645z.
My advice would be to download the RAW files from each system and compare them. Though I found the 5DS R low ISO files to contain enough noise to warrant taking extra steps to subdue it. Which will likely come at the expense of the camera's usable DR threshold for many people. Which isn't to say the camera couldn't be used to accomplish great things in terms of IQ. Though my take is that it may turn off alot of people who have gotten used to the added benefits of the latest sensor performances by other manufacturers. However, I must confess that given the niche this particular camera falls into, I wouldn't think many people will look at this system for high ISO work.
That said, I doubt the 5DS R was ever conceived to challenge MF systems costing twice as much either. And so, I wouldn't get too caught-up in such things personally.
My take on this is that Canon put together an affordable system that would allow their existing users to experience image captures with some of the same level of detail as those costing many times more. And by the looks of it, this is exactly what this Camera does. - Or as I like to call it, the poor man's MF alternative.
Having said all that, I'd also add that squeezing every once of detail out of these files was no walk in the park. It took alot of adjusting to get the 5DS R to put out a comparable amount of detail to that of the 645z, which could only be accomplished in RAW. Which is something that I doubt many people won't be inclined to do. And more importantly, why I maintain that this camera will likely be better suited for super-resolution type images. Of which I'm confident, it will do the job quite nicely with the added detail, dynamic range and noise performances. - limited, yes. But worth it, when it actually does hit home.