Guilty as charged. Or charged as guilty. Either way.
That's why you are still married, Al. I had that happen already twice, says the girlfriend, me or the 25mm, well, I have two 25mm lenses.
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For me its a flashback to my years as a photojournalist in the 80ies. My wide angle lenses were 28mm and 20mm (35mm Minolta way back), and I'd carry a 100mm macro for portraits, and sometimes a 300mm. Well, the 645D and more so even the Z allow you to have a similar set of three lenses in a shoulder bag. Either 25, 55, 150 or 25, 120, 300, or 25, 90, 200. Theoretically, I could also pack the 28-45mm, but it's too clumsy. I sometimes do, but it's really big, and I do see myself wanting to tape those additional degrees of wideangle onto the edge of the frame. 28 is like 22mm on 35mm film, and 25 is like 19mm. Two or three millimeter difference - does it matter? Yes, it does. It is the difference between something looking still almost regular vs. showing some extreme perspective. 25mm (19mm) is a real news-type lens. 28mm (22mm) is almost regular. Not really. But you get my point.
My other medium format system (sort of like another girlfriend), the Rollei Hy6, never got their wide angle range off the ground. I fell out of love with them because of that. They just lost it. You need a real wide angle. Both 35mm lenses fill in nicely for the medium wide angle, the 28mm. But how about the really wide end? I am afraid both Rollei and Pentax (Ricoh) have been taken over by some technocrats, bean counters, you name it. Not photographers. Well, I wish there was some thinking ahead anywhere. I just panicked when I realized this was going to be it. The end of the wide angle range for Pentax medium format. I was worried they'd go the same way as Rollei. Just paranoia. But for real: the zoom is not an alternative.
For some reason I can't really understand why Pentax built some internal default self-destruct mechanism into those lenses, letting you know that it was their last shot. They either had problems with picture quality (not mine), or diaphragm, or simply fell apart without warning. Sort-of like: this is it. This is the end of our wide angle adventure. Then they put a 5K sticker on it. My first lens simply has manual focusing issues, more play in the manual focus ring than it should. Autofocus is spot on though, and manual focus works, but not very neat. Pentax probably thought: let's build in some tricks, make them nervous, and see whether they smarten up and buy two of them. Like the grand slam. 10K for a great picture if the lens works. Then they would be sitting there in some skyscraper office in Tokyo and laugh at us, being so obsessed with the idea of using the 645D/Z like a real camera.
During those times I followed their 645 lens listings or road maps to nowhere with some sense of anxiety. Well, first there was the D FA and all the debate over the end of full frame. The DA seemed a tad better. Logical choice. Then there were those roadmaps on which the D FA failed to show up, and that made sense. But to my disbelief the number of signs that the DA version was also deleted started to increase. First it was missing on some obscure sites in Japan. Well - probably they confused it with the D FA - so I thought. Then there were more and more lens listings posted without the 25mm DA. Then there was a short time it was available for discount, and then the price went up to $6K for the final ones.
Mine were about $4K each, still more expensive than a single Leica 24mm for $8K. I know the Pentax sensor is better. I envy those Leica owners at times. But then they only get one perfect lens for what they need. They'll never have the chance to worry about two that might fall apart every moment. Oh Pentax...
Well, I take the 25mm with me most of the time. Probably my favorite lens. Cats and girls come second.