Originally posted by daveward I do very much appreciate all the assistance offered. I can see why the way I asked my questions may have tweaked some sensibilities. That was not my intent.
All I wanted to know was this original question: "...my question is whether you got into MF because the images are better and you were able to see that for yourself before you spent the money on a camera system."
I tried to convince you all that I really was not questioning whether MF was better, I was simply trying to elicit your experiences and decision making before you got into MF. Why? Because I am where you were at some point in your life; it seemed like I could benefit from your experience.
Thanks again for your thoughts.
Dave
I confess that I've so far only read about 3 of the 5 pages comprising this enjoyable thread so far, so I hope my comments aren't redundant.
I really admire the fact that you've had the courage and honesty to ask this question. I blithely followed the consensus that MF would be better than 35mm film, although it took me over 30 years for me to buy a medium format film camera and in the knowledge that I would be scanning to digital as part of my workflow.
An overly long potted history...
I've shot 35mm slides since the mid 1970s when I was in my teens, following my father's lead. 35mm B&W was something I learnt to dabble in at university. Colour print film generally left me disappointed as the run-of-the-mill print shops would invariably just print to an average exposure value.
I pretty much switched over to a DSLR in early 2004, getting interested in alternate legacy lenses around 2009. That opened up a whole new and expensive world and it also taught me that I had missed out on some great film cameras of the day such as the Canon T90. Buying such esoteric cameras initially for a small collection led to me wanting to shoot film again, but doing it cheaply by buying B&W film in bulk.
Eventually I bought a P645N and although it sat there for some months, I finally started shooting with it earlier this year, with 120 slides, B&W and some colour print film too. I already had a decent V700 flatbed scanner and had already learnt the great results to be obtained from a dedicated 35mm film/neg scanner. The results I obtained with this P645N camera, and from a Fuji GA645, left me in no doubt that MF had great gains over 35mm, the only thing coming close being a Leica M6 that I concluded was just too expensive to keep for the limited use I made of it.
I also now have a P67 with mirror lockup, this being still pretty inexpensive to buy relative to the later P6x7, not to mention the P67II. P645 and P67 lenses can be bought very cheaply in many cases, so building up a small system is quite feasible. Some of the lenses I bought were also to go on a P645D, so I am not simply choosing to shoot film, particularly as I do not have a home printing capability.
So, with apologies for a long-winded account, I am left in no doubt that MF film is way ahead of 35mm, especially when you see the like of Fuji Velvia or Provia slides in 645 or even 6x9 (Fuji GW690).
Fuji Velvia 50 slide film on P645N (home-scanned using Epson V700), probably using the P645 A 200f4.
Fuji Velvia 50 (RVP50) on Fuji GW690