Originally posted by gavincato well, thats you. I was in a relatively similar position to OP - being mostly a people shooting sort of guy. I had (still do) a Canon rig with pretty much every lens worth owning. Went to the 645z fully intending to sell it if I didn't see a significant difference. Was pretty doubtful that I'd see much of a difference over the canon slr with the best lenses canon make. Guess what has now become my primary rig.
you apparently don't know that canon sensors are weak, see these
real-world test photos of the latitude differences between your canon ff camera and the a7r:
Sony A7R teams up with Canon glass
so of course you saw a big difference with canon ff vs. 645z, because canon ff doesn't belong in a discussion about d810 vs. 645z, it's not comparable at all.
look at the 5ds/5dsr sensorgen link i posted a few pages back, notice how poorly that 50mp camera compares? don't lump all ff cameras under the same umbrella.
---------- Post added 03-17-16 at 01:43 PM ----------
Originally posted by mikeSF wow man you went off the deep end and for some reason are still showing dynamic range charts. Now let's get back to my point that in pure IQ (resolution, color tones), the 645D makes better pictures. 810D falls short of the detail resolved by the 645D. I originally said if dynamic range performance is important, there are better choices than the D. But you seem to keep missing that.
Thanks for playing.
wrong, i said *tonal range*, dr and tonal range are not the same thing, and if you think that the 645d offers more in the way of color tones, i'd suggest that you compare the color sensitivity curves, the 645d is never better than the d810 anywhere in the graph:
"Color sensitivity is the number of reliably distinguishable colors up to noise."
Nikon D810 vs Pentax 645D
"3. Dynamic Range
Dynamic range is defined as the ratio between the highest and lowest gray luminance a sensor can capture. However, the lowest gray luminance makes sense only if it is not drowned by noise, thus this lower boundary is defined as the gray luminance for which the SNR is larger than 1. The dynamic range is a ratio of gray luminance; it has no defined unit per se, but it can be expressed in Ev, or f-stops.
4. Tonal Range
Tonal range is the effective number of gray levels the system can produce. This measure has to take noise into account (indeed, a very thin gray-level quantization is irrelevant if the quantization step is much smaller than noise). The standard deviation of noise can be viewed as the smallest difference between two distinguishable gray levels. The expression of the tonal range is
.
Since tonal range is a number with no unit, one can consider instead , which represents the number of bits necessary to encode all distinguishable gray levels."
Noise - DxOMark