Originally posted by itshimitis I can see your reasoning here, but you aren't talking about simply looking close up. You have to be able to see the whole image too. The 300 dpi is the golden statistic for printing but viewed properly how many would know the difference between 300 and 200 dpi without being told which was which?
My understanding is that Canon printers do their finest work at 300 DPI, and Epson and HPI printers need 360dpi, but the reason you use the 300 DPI is to jumpstart that super high res print mode. I've seen nothing to suggest that if you expand a file from 100 Dpi to 300 DPI and then print it, people can tell the difference between that an a print from a file that was a true 300 DPI. There have been some tests that suggest people can't tell the difference between 72 DPI, 100 DPI and 150 DPI when comparing actual prints. My guess is the difference between 200 DPI and 300 DPI is even smaller.
Anyway , take some time to look at other features.
A 645z has an same size of 8256 x 6192
A K-1 is 7,360 x4,912
A K-3 is 6000 x 4000
The interesting thing about that is the relative small jump in the pixels sizes as you go from 24 MP to 36 MP to 51 MP.
The big jumps in IQ happen way down when cameras were 4 to 6 mp. A higher resolution camera could make a huge difference.... however the pay off for adding an extra 12 MP to a K-3 like base model is small compared to adding 6 MP and going from 4 to 10 MP. The law of diminishing returns has seriously set in.
So consider the following scenario.
IN photography there are many things that contribute to the appearance of detail, the biggest of which is contrast. ( I wish I saved a few of my trashed images from the last few days for some examples.) Without proper contrast images look flat and for the most part un-interesting. A 24 MP image with good contrast will look sharp, a huge file with low contrast will look flat. Understanding how light can be used to take images is more of the issue to producing sharp highly detail images than the difference between 24 MP and 51 MP will.
If you have the funds, definitely go for a 645z....
But there are a couple of problems with the plan.... if you aren't getting sharp, detailed images with a 16-24 MP camera, you aren't going to get sharp, detailed looking images with a 645z.
The slower burst rate of the 645z means you be investing a lot more in each individual image.
Thinking you can learn lighting etc. on-line, it's not impossible, but it is improbable. The best way to learn photography is to find someone who does what you want to do and learn from them. And that needs to start before you buy your gear.
If you want to learn from someone shooting extremely high res, find some one doing it and learn from them.
From the old days
https://www.pentaxforums.com/forums/38-photographic-technique/203024-who-took...hotograph.html
A high resolution (walk right into your photos kind of guy)
What cameras does Andreas Gursky use? - Quora
Gurzky uses a process that uses two cameras and my understanding is his files are well north of 120 MB. But he also does a lot of work to induce a 3D effect. So while IMHO the 645z is the best reasonably affordable off the shelf camera for this type of work, it's far from a best of class.
And my worry reading your post would be your assumption, that you will be able to produce the work you intend to produce. Photography is like anything else. I can buy the same tennis racket Andre Agassi used but It will never enable me to hit like Andre Agassi. In some ways your post would suggest you believe it would. Honestly, cameras are just as much like that as tennis rackets. Good technique works on any racquet. Poor technique wastes even the best rackets.
A camera is not a whole lot different. Go over to the K-1 thread, and you will see a lot of great images, many of the best photographers shooting Pentax have bought one, but they were already very good photographers before they bought the camera. You will not find one photographer who sucked shooting a K-3 who has suddenly become very proficient buying a K-1.
You will also see many low contrast, bland photos where the photographer has posted the image, only because he thinks it might be special, just because it's the best he's ever done and it was taken with a K-1. However, there are people shooting point and shoots producing better images. And there are folks who shot DSLRs for half a century who still don't produce top notch work.
I am uneasy with your presumption that your ability to produce the kind of image you want even if you buy a 645z. There are many long time hobbyist on the forum who will never be more than the producers of bland images totally lacking in pop and detail no matter what system they buy.
You are hoping you are on of the ones with a gift for composition and lighting... but, it's not a given.
So with all those qualifications, if you understand them, if you have the money go for a 645z and learn to shoot for a single frame and be really patient. Some of us love a challenge like figuring out how to coax great images out of a piece of technology but it is a demanding exercise. But I'd be happier recommending a 645z to you if you could see something that shows you have the ability to exploit it.
The fact that you think you can learn on-line what others take 3 year courses to learn, doesn't mean you can.
With it's heavy lenses, slow burst rate, and huge file sizes there are a lot of cameras that are more fun than a 645z. And while it may be the best for what you wish to accomplish, it may not suit your temperament.
The bigger the camera, the more patience required to achieve and kind of acceptable result with it. And with any photography, the right moment is more important than the right gear. Are you going to have the time and patience to seek out that moment? If you haven't started doing it already with what you have, it's unlikely buying bigger heavier harder to use equipment is going to make things easier for you.
In any case, if you really want to go for it, 645z all the way. It will give you more of what you want. But, it won't make you better than a guy who knows what he's doing shooting a Pentax K-5, or even a K-x.
You could end up with some amazing images, or you could end up with the highest resolution, blandest, most uninteresting images ever taken.
And if I buy Andre Agassi's tennis racket, I might win the U.S. Open.
It's a gamble, and the odds are stacked against you.... do you feel lucky?