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03-24-2018, 11:52 AM   #31
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QuoteOriginally posted by CreationBear Quote
Nicely done! The Canikon T/S lenses are the only reason I'd be tempted to leave Pentax, but PF member "baro-nite" does great work with a Mirex adaptor on his K-1. (FWIW, Sandy King makes me think I have started my hybrid workflow bass-ackwards--digital in the field and "analog" output makes a lot more sense.)
There's two other good options for shift-lens work on the Pentax. The old Pentax SMC 28/3.5 shift lens is a nice option, especially for FF. With 11 mm of shift, it will do 47mm x 24 mm shift lens pano. There's also the Rokinon 24 T/S which offers 12 mm of shift (50 x 24 shift-panos).

03-24-2018, 12:54 PM   #32
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QuoteOriginally posted by photoptimist Quote
There's two other good options for shift-lens work on the Pentax.

A good point--I'm always looking for an excuse to buy a K-series lens, especially.

---------- Post added 03-24-18 at 01:02 PM ----------

QuoteOriginally posted by rdenney Quote
Sandy is a master

I seem to recall he's gone to an A7 for at least some of his work, but I must admit I'm intimidated by the whole alternative processing scene--some serious alchemy going on there... At any rate, as long as there's film to be bought, I resolve to be happy whatever format I end up with!
04-12-2018, 06:46 AM   #33
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This Pro Shift Adapter lets you shift 67 lenses on 645 bodies. It is very nicely made and rather expensive, but one adapter gives you shift options with many 67 lenses.

Zörk Pro Shift adapter
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20mm, 35mm, 45mm, 645d, 645z, aps-c, camera, crop, depth, distortion, lens, medium format, pano, resolution, shift, shift for shift, shots
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