Originally posted by rdenney Edges of a fisheye lens projection have to be greatly magnified in the sagittal direction to turn it into a rectilinear image. Even good lens performance will be degraded by that. A rectilinear lens performs that magnification optically.
My advice is to use a fisheye lens when you want a fisheye projection, and use a rectilinear lens when you want a rectilinear projection, unless you can tolerate reduced enlargeability.
If you need high-resolution ultrawide rectilinear images and a used 25 doesn’t do it for you, the next step up from that is a digital back on a view camera with a digitally optimized view camera lens. The Cambo Actus gives you some movements, but the Actus 24mm lens is designed for 24x36 sensors. It has coverage for a 33x44 sensor, but without any movements—I see no advantage over a used 25mm DFA. The 23mm Rodenstock Digaron has more coverage, but won’t fit in front of even a small-format mirror box. It needs a real digital back.
Rodenstock 23mm f/5.6 HR Digaron-S Lens 150120 B&H Photo Video
Rick “who has been using an Arsat fisheye for nearly 20 years” Denney
Hi Rick - thks for the information....I looked at the Actus 24mm , but found a good (& fairly rare) used 25mm DFA which produces excellent images on the 645Z....however I occasionally need wider for interior and architectural shots requiring movements, and was looking for a 'distortion-free' solution...hence the Cambo Actus Mini idea....I already have the Fuji XT20, which I could use in combination with the 25mmDFA.
I did have a Hartblei 45mm t/s for the 645Z , but often found that was not wide enough for 'tight' interiors, even with movements, and the image quality was nowhere near DFA quality. (BTW - Hartblei did mention that they may be making a new version of the 645 t/s lens following their renewed co-operation with Stefan Steib/HCam (on t/s lenses for 35mm full frame cameras), I suspect using Zeiss glass rather than Ukranian glass...…)
The Rodenstock Digaron 23mm + Linhoff Technika + Hassy back (50MP and 100MP) is Sean Conboy's combination of choice for his brilliant architecture work, but also assumes you have GB£50,000+ to invest...and 30 years of camera movement experience!
Thks & Rgds, Ian