Originally posted by kaseki What screens are you using?
I haven't pulled the trigger yet---still acquiring some other gear, although the camera gear is almost done(!). Next is a big computer upgrade, hopefully within the next several months (desperately need this and a real storage and backup routine). But I am closely watching developments, and have been for several years.
Then there's this. They are still $2K for the 55", $2.8 for the 65", so too high for me just yet. Also, for me I really need as small a bezel as I can get---I'd rather mount the screens in such a way that I could adjust them and do surrounds as appropriate. I have an advantage that at my museum there's an AV staff, and they are on this stuff, so I can get tech updates.
The screens would be far more practical for my home, and far, far easier for me to rotate work. They would also be in the long run far, far cheaper as a way to see how things look at scale before committing to prints. For eventual sales I would still want to do prints in limited runs, but now the screens are also a possibility.
FYI, when I was out at
The Broad in L.A. (I'm the tech rep for an exhibition that the Hirshhorn is touring, so I go to all the installs and de-installs), their shop was selling limited edition copies of time-based artworks (many thousands of dollars, IIRC), some by major artists. So, you can have them for your home as artworks, running on your screen. I would imagine there are quite a few people out in the L.A. area who have impressive home systems, so this only makes sense. Museums used to (and some still do---the AGO in Toronto still does) have sales and rentals operations, a mix usually of copies of multiples (lithographs, for instance) from major artists through original works by decent locals. This is the 21st century version of that. I think it will eventually catch on with photography as the tech improves, and it doesn't have to go much further to be viable. In advertising it's already taking over for the duratrans.