Just for examples of sun in the frame...the two shots were made with a Hassy XPanII (I put these in just for K100d who covets that camera). Because this camera is a rangefinder, I can't use neutral density grads to help with "hot sky" issues. The sky and sun vs foreground issues are handled just with exposure. The darker frame was probably exposed at -.5 exposure compensation from the center weighted meter reading. The lighter frame was likely shot straight up at the meter reading (if I'm wrong then the darker one was at -1 and the lighter one at -.5, but because of the bright sky I'm pretty sure the first figures are accurate). The film is Velvia 50 slide film and these are just low res "raw" scans, meaning no post processing or sharpening--just scan and resize, I even left the dust on 'em for ya! Note that to me, the richer sky colors in the darker version are prefereable to the brighter version with some detail retained in the rocks--though I really prefer the sun rays as in the lighter version...Hard to believe there was no bump in saturation in either scan...these are "as shot."
The point of these two frames is to show how even the most contrasty slide film like Velvia can still render nice shots with the bright sun in the frame, and do so without neutral density grads. I'm a "pop the color" guy, so don't know how these would look with a more neutral emulsion--though I did capture this same image in normal daylight on other emulsions--not worth showing...
Last edited by Ron Boggs; 07-13-2009 at 10:15 AM.