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07-05-2012, 08:44 PM   #3451
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QuoteOriginally posted by slackercruster Quote
Originally posted by Ryan Tischer The top image is actually a three shot pano (taken horizontally, then cropped) using the 25mm D FA. I reported earlier that the CA's are really bad with this lens...well they weren't apparent at all in this image with the lens correction turned on...it just takes longer for the image to process before you can preview it.
what pan software did you use?
Just the photomerge option in PS CS4. I believe I ended up using the 'collage' setting.

07-06-2012, 07:10 PM   #3452
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Took a stroll in London before meeting a friend of mine on my way back from Lincolnshire.

i started off in Covent Garden:

Pentax 645D FA 33 - 55 at f/11 and 33mm 1/30 ISO 400




then made my way down toward St Paul's Cathedral, and found the high contrast appealing:

An old red bus:

Pentax 645D FA 33- 55 at f/19 and 43mm 1/125 ISO 200




The other archetypal London thing: the black cab

Pentax 645D FA 33 - 55mm at 55mm and f/11 1/250 ISO 200




and in black and white:




Another shot with dark clouds hanging over St Paul's

Pentax 645D FA 33 - 55 at f/11 and 45mm 1/200 ISO 200




in black and white:


07-07-2012, 09:18 PM   #3453
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QuoteOriginally posted by 672 Quote
Thanks DandA. The bear came over shortly after this frame and inspected the lens with her muddy paws. I was far away by then...........
Great shot! I might have stayed to defend my position with that set up!
07-08-2012, 05:08 AM   #3454
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i kicked myself for not shooting more at this event (PS1 Moma in Long Island City)..

pentax 645D 55/2.8 iso 400 @ 2.8 1/200s









FA 35 iso 400 @ 8.0 1/60



Last edited by acarlay; 07-08-2012 at 07:39 AM.
07-08-2012, 06:44 PM   #3455
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Friday was a truly fantastic afternoon for constrasty photographs with bright sunshine but plenty of clouds. I've had to do a fair bit of work correcting as much of the perspective distortion here as this was as far back as I could get to take the photograph. I really like the black and white version but the colour also works well:

Pentax 645D FA 33 - 55 at 33mm f/16 1/100 ISO 100:




in black and white, converted in Silver Efex Pro 2


07-10-2012, 12:22 PM - 1 Like   #3456
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I haven't posted any images here for awhile......so here's one taken with my P67II and the recently acquired SMCP 35mm fisheye lens. Velvia 100, lab scan.

Gary

07-10-2012, 12:39 PM   #3457
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Thanks for showing bensonga.
is this lens really 180 wide ?
07-10-2012, 02:54 PM   #3458
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Hi Zygonyx. Re whether it is 180 degrees wide, well that's what the specs say, so I have no reason to doubt it. The image I posted was cropped a bit on both sides.

Gary

07-10-2012, 05:57 PM - 1 Like   #3459
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I took a stroll down to the seafront close to where I live around sunset. the sunset itself was hidden by The Gower Peninsula, but stopped by what I call the squiggle. This is a multiple shot combined in Photomatix and then adjusted.

Pentax 645D FA 33 - 55 at f/16 and 33mm ISO 100


07-10-2012, 08:36 PM   #3460
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One more with the P67II and 35mm fisheye lens......these Alaska Railroad locomotive engines are being dismantled and scrapped.

Gary


07-10-2012, 09:55 PM - 1 Like   #3461
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The fisheye's view.......

07-11-2012, 01:38 AM   #3462
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I like this last one bensonga

Very nice also itshimitis




645D + FA80-160mm @ f/4.5
07-12-2012, 01:08 PM   #3463
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645NII + FA45-85mm @85mm 1/1000s f/4.5 + Kodak Tmax 100
07-13-2012, 05:16 AM   #3464
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a couple of old P645 pics...

75/2.8, Fuji 400H



150/3.5, Ektar

07-13-2012, 02:48 PM - 1 Like   #3465
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Sunset Storm Gunlock Wilderness Area, Utah

Here's a shot taken a few days ago just ahead of the first of our summer monsoons in the southwest. This was taken just past sunset. Some brilliant sunlight was still hitting a cloud, causing a glow that illuminated the immediate area. That said, it still required a half second exposure @F16, 35mm lens, 645D. Four vertical frames stitched, extensive post in LR4 (shadows/highlights/gradient filter) and dodging/burning, stitching in CS6. No HDR involved.
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