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11-24-2014, 11:08 AM   #6241
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Had four days in Zion National Park at the beginning of the month, the peak of fall color at the lower elevations. These maples were a bit higher up so most of the leaves were gone, but this was by far my favorite shot from my first roll of Ektar. I took another frame of the same composition with Velvia, so I'm looking forward to comparing them once I get the Velvia back from the lab.


Pentax 645n, SMC Pentax-A 645 1:3.5 150mm, Ektar 100, f/13, 4s, Epson v700 scan

11-24-2014, 03:02 PM - 1 Like   #6242
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It was a great afternoon to be down at the beach yesterday.
I got a wet bum capturing this shot. I always end up getting a bit too close to the action when shooting seascapes... but I think the wet trip home was worth it.
Bonny Hills, NSW Australia.
645Z +DA25mm

Thanks for looking, Tom
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Last edited by Thomasbrowphoto; 08-25-2015 at 08:45 PM.
11-24-2014, 03:05 PM - 1 Like   #6243
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sitting up here in the great (not so white today) north that is a shot of heaven, lovely shot thomas
11-24-2014, 03:10 PM - 2 Likes   #6244
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Some from above the market town of Caerphilly, South Wales:

Pentax 645Z DA 28 - 45





11-24-2014, 04:23 PM   #6245
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QuoteOriginally posted by Thomasbrowphoto Quote
It was a great afternoon to be down at the beach yesterday.
I got a wet bum capturing this shot. I always end up getting a bit too close to the action when shooting seascapes... but I think the wet trip home was worth it.
Bonny Hills, NSW Australia.
645Z +DA25mm

Thanks for looking, Tom
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so beautiful, Tom!
11-24-2014, 05:16 PM   #6246
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QuoteOriginally posted by mikeSF Quote
so beautiful, Tom!
Thanks Mike!

---------- Post added 11-25-14 at 11:17 AM ----------

QuoteOriginally posted by eddie1960 Quote
sitting up here in the great (not so white today) north that is a shot of heaven, lovely shot thomas
Thanks Eddie, Im glad you like it!
11-24-2014, 05:23 PM - 1 Like   #6247
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Some recent exposures on Tri-X dipped in Xtol. First is with the 200mm F/4 SMC 67, other two with the 55 F/4 SMC 67 lens. All with #3 yellow filter. All scanned on a V600.






11-24-2014, 05:29 PM   #6248
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QuoteOriginally posted by mikeSF Quote
that is awesome Vlad!

---------- Post added 11-22-2014 at 09:53 PM ----------

tonight in Brentwood, CA. Fall colors are showing this time of year.
Using Colton's M*300 lens, a beautiful hunk o' glass.

Brentwood Autumn
Brentwood Autumn
645D & 67 M*300
QuoteOriginally posted by mikeSF Quote
that is awesome Vlad!
Thanks Mike!
It was an awesome morning.

11-24-2014, 06:40 PM   #6249
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QuoteOriginally posted by baro-nite Quote
Shots like this are why I am rather sure I will end up with a 67 and the 105 at some point. Nicely done.
thank you!

I have seen some similar "effect" using 645N + 67 105mm, maybe you can get the 105mm (pretty cheap) and an adapter (~$80) ! than later snap up a 67 when you see a good price!

opposite acquisition sequence compare to you, I now have a 645N after the 67.
11-24-2014, 07:44 PM - 1 Like   #6250
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Zenza Bronica ETRSi
Zenzanon EII 75/2.8
Kodak Ektar 100
Epson V500
11-24-2014, 08:11 PM - 2 Likes   #6251
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The Rosario Straight, Anacortes, WA.
500C/M, Zeiss CB 60/3.5, NDX400, 100ACR




11-24-2014, 08:57 PM - 1 Like   #6252
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QuoteOriginally posted by mikeSF Quote
so beautiful, Tom!
some light trails on the Bay Bridge

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645D & A120 Macro

Last edited by mikeSF; 11-25-2014 at 11:46 AM.
11-24-2014, 11:48 PM   #6253
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QuoteOriginally posted by mikeSF Quote
some light trails on the Bay Bridge

Inbound
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645D & A120 Macro
Nice one, draws you in!
11-25-2014, 06:25 AM   #6254
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QuoteOriginally posted by tuco Quote
The Rosario Straight, Anacortes, WA.
500C/M, Zeiss CB 60/3.5, NDX400, 100ACR
Elegant and serene.
11-25-2014, 06:40 AM   #6255
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QuoteOriginally posted by baro-nite Quote
Elegant and serene.
Thanks.
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