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07-25-2018, 05:27 AM - 7 Likes   #12301
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Trimmed willows



Camera: Pentax 67 II
Lens: smc Pentax-67 55mm F4.0
Exposure: 1/45 @ F/8
Film: Ilford FP4+ hand dev. in Kodak XTOL 1+1



Camera: Pentax 645N
Lens: smc Pentax-A 645 35mm F3.5 with K2 yellow filter
Exposure: 1/180 @ F/8
Film: Ilford FP4+ hand dev. in Kodak XTOL 1+1

From the park at Fredensborg Palace, Denmark.

07-26-2018, 05:35 AM - 1 Like   #12302
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One from last Sunday...

Pentax 645Z FA 150 f/2.8 1/100 ISO 400 handheld

07-26-2018, 06:12 AM   #12303
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Beautiful photo Ishimitis. Did you use any sort of filter to capture that wonderful sky
07-26-2018, 06:15 AM   #12304
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QuoteOriginally posted by LaHo Quote


Camera: Pentax 67 II
Lens: smc Pentax-67 55mm F4.0
Exposure: 1/45 @ F/8
Film: Ilford FP4+ hand dev. in Kodak XTOL 1+1



Camera: Pentax 645N
Lens: smc Pentax-A 645 35mm F3.5 with K2 yellow filter
Exposure: 1/180 @ F/8
Film: Ilford FP4+ hand dev. in Kodak XTOL 1+1

From the park at Fredensborg Palace, Denmark.
Interesting photos, quite a chop job on the willows!

07-26-2018, 06:15 AM   #12305
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QuoteOriginally posted by GreatFrog Quote
Beautiful photo Ishimitis. Did you use any sort of filter to capture that wonderful sky
No, just grabbed my cameras with the lenses they had on...
07-26-2018, 10:36 AM - 2 Likes   #12306
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Garden wanderings

Some outdoor flower shots to finish an experimental fireworks spool. Photographed only for what they are and not for what else they are. (Apologies to Minor White.)

645N Portra 160; JPEGs from TIFF files generated by Noritsu HS-1800, Photosmith, Dover NH; no post processing.

Av 1/350 F6.7 [Likely the 120 mm macro, but negative is missing focal length]

Av 1/350 F6.7 [ditto]

P 1/90 F4 120 mm macro

P 1/125 F4 120mm macro
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07-27-2018, 12:35 PM - 2 Likes   #12307
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Khatyn, Belarus.
One of many reasons why we Russians will never forget, will never forgive.















07-28-2018, 12:20 AM - 4 Likes   #12308
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tonight's moonrise from California:
Orange Moon
645Z & A*600 + 1.4x TC
07-28-2018, 05:43 AM - 1 Like   #12309
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QuoteOriginally posted by mikeSF Quote
tonight's moonrise from California:
Orange Moon
645Z & A*600 + 1.4x TC
Hi, Mike. Is that color smoke related?
07-28-2018, 10:28 AM   #12310
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QuoteOriginally posted by texandrews Quote
Hi, Mike. Is that color smoke related?
yes, the wildfires are giving our suns and moons some real pizazz these days.
07-28-2018, 10:54 PM - 1 Like   #12311
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QuoteOriginally posted by texandrews Quote
Hi, Mike. Is that color smoke related?
The colour might be the remnant of the lunar eclipse too?....

---------- Post added 07-29-18 at 07:14 AM ----------

QuoteOriginally posted by mikeSF Quote
tonight's moonrise from California:
Orange Moon
645Z & A*600 + 1.4x TC
600mm + 1.4TC !!!...that's a workout!....nice result though....
07-29-2018, 03:25 PM - 5 Likes   #12312
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As the planned location for observing the lunar eclipse was totally clouded over and being drenched with torrential rain I have been revisiting a few images from my early Z owning days. Coming, as I did, from APSC I had some approaches to PP that were not well suited to the Z files. There was one image that completely stumped me with PP. I had 5 bracketed images for this one as the DR was extreme, beyond even the Z. I didn't actually know that at the time as the Z was new to me, but just repeated my APSC workflow for high DR scenes. But... the conditions changed so much, wind on water, clouds forming and racing that HDR was not working for this image. I have posted an older attempt previously and now hate it. I ended up taking two images and tone blending them in Photomatix Pro. This made a total hash of the water and the sky and mountain/sky interface. But it made a good stab at the terrestrial area. I then manually blended the darker of the two images and the tonemapped photomatix image. It isn't perfect but it is a great improvement on my earlier attempts. It is such a beautiful scene, and a unique take on a very well recorded subject, I will probably revisit these images again as I learn more tricks to make it right.

So Kilchurn Castle during the last moments of blue hour ahead of sunrise on a misty morning with the Z and the FA 150 2.8

07-30-2018, 05:18 AM - 2 Likes   #12313
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Calais, France
P645Z 28-45

07-30-2018, 06:02 AM   #12314
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QuoteOriginally posted by sculptormic Quote
Calais, France
P645Z 28-45
Thank you again for your continuing coastal tour emphasizing structural variety (and plasticity). Can you comment on why the grass is brown instead of green in July? Is this area suffering from drought?
07-30-2018, 06:08 AM - 3 Likes   #12315
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Triptych - Crooked tree

A rather crooked tree I stumbled across during a holiday in Cornwall, England:



Camera: Mamiya C220 Professional F
Lens: Mamiya-Sekor 80mm F:2.8 Blue Dot with yellow filter
Exposure: 1/125 @ F/5.6
Film: Rollei 200 Superpan dev. in Xtol 1+1 in the Jobo ATL-1500 film processor
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