Originally posted by jeninejessica Just for example, these are some of the 'better' photos we got from the weekend, but still too grainy for my liking, and this is after a quick touchup.
These are great examples of a scene that will trick your camera, so they are a good learning opportunity. The meter* in your camera treats everything in the scene the same, and suggests a setting to expose it all well. Because with digital images, overexposure can lead to a complete unrecoverable loss of any detail, the meter is careful to avoid that.
In your scene, the brightest parts are on the background art and maybe the bar stool. The performers are not well-lit and wearing dark clothes. In the first photo the bright parts are also closer to the center of the image, where the meter is more likely to consider them the main subject.
The most important part of adjusting for this situation is
to see it in time. With practice, you can see it before picking up the camera. At least, look at the preview screen and the histogram, and see how the camera handled the brightest parts of the image. If they are unimportant background, it's OK to lose detail there. This is where you become a photographer, not just a shutter operator.
Once you notice the problem, you can adjust for it in many ways. The exact method is unimportant. Some photographers prefer to use the spot meter in these situations, to get a reading on an important element of the scene that should represent a particular tone. An example would be a performer's face. Some like to use exposure compensation, which tells the meter to take its suggested exposure and make it brighter.
I can't say a lot more about lenses that hasn't already been said. If you have used a program to brighten the example images that's calibrated in "stops", you can translate that directly to what lens specs you need. Say your example was shot with the kit lens at 55mm, f5.6. On the computer, you like it 2 stops brighter. A lens that is 2 stops brighter would be f2.8 at 55mm. If you could repeat the shot with the new lens, set the mode to Av and the exposure compensation to +2, the new image would be as bright as the touched-up old one, but less grainy.