Originally posted by normhead Normhead - thanks for the reference, a lot of thoughful discussion in that article.
Originally posted by eddie1960 I'm with Rick, not a member of a camera club (though the toronto one is well established and has some excellent competitions from what i've seen)
................
But Flickr is really not a great tool. Studying the "interesting stream won't help much because while many shots are well composed many are not and what get's them to interesting is something else
Hmmm...its turning out to be a very good thread. First of all, the book that NicholeAus and I recommended by Michael Freeman "the Photographer's eye-Composition and Design" is a very thoughtful discussion of content and has nothing in it about camera operation.
Beyond that, I've been to 2 different photography clubs, and talked to members from a 3rd. They very from each other quite a lot. Summarized below:
a. Competitive, very regulated - I have to admit that some competition drives and motivates people to produce and work on their photos. But some clubs are so competitive that it seems shallow in some ways. I believe that art is about a lot more than collecting ribbons.
b. Laid back, no formal rules, family snapshots make it into the mix, community oriented. in a small town, they can help you network.
c. Film club - Fewer of these around. Emphasis on BW and composition. Can become overly restrictive in their scope. Composition feedback helpful.
So there are all kinds of photo clubs. I currently belong to the b. club. Its been enormously helpful to me in learning software (Lightroom) and in connecting to community projects that i wouldn't have access to individually.
In my area, there are getting to be more co-op galleries than privately owned galleries. And in small towns at least, they always seem to have a monthly "art walk" evening where one gets to walk around with others and see the new month's shows. Lots of fun and interesting-i always attend if i'm in town. Don't limit yourself to photographic art in these galleries - you can learn from other types.
At the co-op galleries, the artists often spend time clerking at the desk to reduce labor costs. Often i'll walk in and ask if the on-duty artist has anything in the shop at the time. I've had some interesting conversations about art and probably saved some artists from some boring hours. If business calls for their attention, i always excuse myself so as not to impose.