Originally posted by arnold The most efficient way is to get the film developed and scanned onto a CD by the shop. Later you can make any prints you want. From the CD you can load into the computer.
Efficient? Yes. Satisfying? No.
That was my initial approach. Unfortunately, even a high pixel count scan from the mini-lab usually translates to several megapixels of garbage. The difference between a mini-lab scan and output from a decent film scanner is readily apparent. The above comments have a lot of good advice, though it is still pretty hard to sort it all out. Here are a few discussion points:
- It is difficult to manage a "figital" work flow without doing your own scans
- Scanning is the hidden cost of film photography
- The makers of most currently available scanners grossly overstate the real-world resolution of their products
- Even the best flat-bed scanners have a resolution limit of about 2400 dpi (adequate for 8x10 print from a 35mm negative)
- The better dedicated film scanners manage about 3200 dpi (11x14 print from a 35mm negative)
- Scanning takes skill and the learning curve can be steep
- From a quality perspective, the best value is medium format or large format film coupled with a higher-end flat bed scanner (e.g. Epson V700/V750)
For objective scanner reviews see:
Detailed test reports and experience reports about film scanners slide scanners: market overview, application in practice
Steve
(...could have bought a very respectable FF dSLR kit for what I have invested in film cameras and scanners...)
P.S. In anticipation of the chorus of responses by various techies, I used "dpi" rather than "lp/mm" for resolution for the sole reason that "dpi" is the more commonly used term and is the unit provided by the manufacturers.