Originally posted by DogLover The only problem I see in the above is that a split screen still won't delineate at faster apertures. It may be easier to see what's in focus at slower apertures, but the "gadget" part of a split screen is not fool-proof. It won't always tell you precisely what part of an image is in focus, especially at those faster apertures.
I'm not sure what you're saying here. The prisms line up just fine at 55mm f1.2, or 90mm f2.5. I just took a lot of test shots with both these lenses at 30 inches. The 90mm has even less depth of field than the 55/1.2 and is way sharper wide open, so better for tests. The images showed my focus was exactly at the point where the prisms lined up. In my experience, the gadget part is very reliable.
Of course, that point is the only spot that you can be sure of. Most of the screen is similar to the stock screen, not an accurate depiction of depth of field. That makes composing harder with the split prism, because you tend to plop your important subject dead-center to focus perfectly. Shifting the frame may result in recomposition errors, since it increases the distance to the off-center subject slightly.
With the S-type screen, any part of the screen works just as well, really a plus for composition.