Originally posted by Schraubstock I know I am possibly swimming against the tide here.
I'm with you but against you at the same time. But there are a few things we need to consider.
For sure the quest for perfection is a bit of a problem nowadays. But our own brain does the same thing with our memories... Think about your dad when you were a kid, he was bigger and stronger in your memories as he really was. Same thing for places... My first memories of the campground where I use to spend my summer are far from what it really looks. In my mind it looked like paradise but in real life it's far from it. Or remember how nice and shinny your first bicycle was... Our brain tends to embellish what we remember.
I use skin softening and every trick of the trade on portrait, I'm not gonna lie. However, I always keep it to a minimum and I always go for the more natural look. But if I were to give a model pictures where you can see her pimple or whatever blemishes she might have had that day, she is not gonna be happy and the next time she'll go to another photographer who will retouch pictures.
I'm not saying that a fresh new baby skin is ugly in any way. But you got to remember that times are changing. Back in the 80's-90's, who beside professionals had good enough equipment to take pictures where you could see the pores on the skin of a model? And this was only visible on very large prints (think > 8x10). On a 4x6 like most people had, image compression was actually doing a good job at softening the skin and masking imperfections. Take a 4x6 print where someones face will be about an inch big... now move forward to today, where the same picture in 24mpix shown on a 27" screen at 100% zoom, the same face will be larger than real life... and with the ever cheaper quality hardware, sharpness is not something only pros can afford. I can count the pores on my face on some of my recent portraits when viewed on my monitor... Something I cannot do with even professional portraits I have from 10 years ago.
I agree that this obsession if getting to a whole new level now. With the power of photoshop and the such. But it is not something new. Even film photographers had their tricks, remember vaseline on lenses or the soft focus ones? How about positioning the light so it doesn't cast ugly shadows? Or taking someone profile on their "good" side? Longer focal lengths to flatten images... shots looking up to look taller?